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Sex and the City (2008)

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A New York City writer on sex and love is finally getting married to her Mr. Big. But her three best girlfriends must console her after one of them inadvertently leads Mr. Big to jilt her.
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2 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Sarah Jessica Parker ... Carrie Bradshaw
Kim Cattrall ... Samantha Jones
Kristin Davis ... Charlotte York
Cynthia Nixon ... Miranda Hobbes
Chris Noth ... Mr. Big
Candice Bergen ... Enid Frick
Jennifer Hudson ... Louise
David Eigenberg ... Steve Brady
Evan Handler ... Harry Goldenblatt
Jason Lewis ... Smith Jerrod
Mario Cantone ... Anthony Marentino
Lynn Cohen ... Magda
Willie Garson ... Stanford Blatch
Joanna Gleason ... Therapist
Joseph Pupo Joseph Pupo ... Brady Hobbes
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Storyline

After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a ... Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

Get Carried Away.

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

New Line [United States]

Country:

USA

Language:

English

Release Date:

30 May 2008 (USA) See more »

Also Known As:

Sex and the City: The Movie See more »

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Box Office

Budget:

$65,000,000 (estimated)

Opening Weekend USA:

$56,848,056, 1 June 2008

Gross USA:

$152,647,258

Cumulative Worldwide Gross:

$415,252,786
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut)

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Lena Hall's first feature film. See more »

Goofs

In the scene when Carrie and Charlotte are making lists for the wedding, the Sharpie marker clipped to Carrie's tank top not only changes positions many times but just before she gets up off the bed to show her wedding dress, the Sharpie marker is gone. See more »

Quotes

[first lines]
Carrie Bradshaw: [voiceover] Year after year, twenty-something women come to New York City in search of the two L's: labels and love.
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Alternate Versions

An extended version version exists. While it shortens a few shots, collectively, by about 2 seconds, it adds about 5 minutes. The major additions are - 1. When Carrie tries on her outfits before she leaves her apartment, the rest of the girls, including Lily, try on her outfits as well. 2. Right before Carrie leaves the apartment, she disconnects the computer. 3. Carrie walks through the Mexican house alone for a bit. 4. When Miranda find her new apartment, she goes in, looks around and tell some guy that she is interested in it. 5. Following the scene where Samantha and Smith have sex and talk about Samantha feeling distanced, she and Carrie talk on the phone - Carrie is using a public phone - and Samantha tells her she will be coming much less to New York in order to take care of her relationship with Smith and Carrie is surprised. 6. Following the scene where Carrie buys the Vogue issue, she meets with Charlotte and they go trick-and-treating together with Harry and Lily and a neighbor shows her condolences, which makes Carrie wear a mask for the next door. 7. Following the scene where she types "Love..." on her laptop, Stanford calls and invites her to a party where he is bored and she declines. See more »

Connections

Referenced in Greek: Midnight Clear (2011) See more »

Soundtracks

Real Girl
Written by Lenny Kravitz, Niara Scarlett, Matt Ward and Dean Gillard
Performed by Mutya Buena
Courtesy of Universal-Island Records Limited
By Arrangement with Zync Music Inc.
Contains a sample of "It Ain't Over 'til It's Over"
Performed by Lenny Kravitz
Courtesy of Virgin Records America
Under license from EMI Film & Teleivision Music
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Frequently Asked Questions

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User Reviews

 
Sex and the City film adaptation insults HBO series of same name
19 December 2013 | by ithinkimdeckSee all my reviews

'Sex and the City,' based on the hilarious, poignant HBO comedy series of the same name, is grossly insulting. In a strong divorce from the series, the movie picks up five years after the series finale - where we find out that each one of the characters have become vapid, soulless versions of their former selves. Now, writer Carrie Bradshaw (Sarah Jessica Parker), and her friends Miranda Hobbes (Cynthia Nixon), Samantha Jones (Kim Cattrall), and Charlotte Goldenblatt (Kristen Davis) walk around New York obsessing over shoes, handbags, and love.

Carrie Bradshaw was, at the end of the show, an independent woman - not the needy girl she started out as. The movie turns it's back on Carrie's development as a character, shaping her into the stock romcom lead. Think Katherine Heigl with no charm. She is now painfully unfunny, shallow, and quite possibly retarded. She spends the first half the film setting herself up to have the man whom supposedly loves her jilt her - which he does. The second half of the film, Carrie spends complaining about literally everything, dying her hair brown, and discussing bags and love with a painfully useless, annoying Jennifer Hudson, as Carrie's new assistant Louise from Saint Louis.

CARRIE: "Louise from Saint Louis. Oh you brought me back to life." LOUISE: "And you gave me, Louise Vuitton."

Yes the writer of "The Real Me" and "A Woman's Right To Shoes" actually wrote this garbage.

Lawyer Miranda is now a frigid shrew who swats her deadbeat husband away like a fly every time he tries to get near her - and spends the entire 2.5 hours complaining about how marriage changed her, it made her move to Brooklyn. She is no longer likable, funny, or smart.

Meanwhile, housewife Charlotte spends the 2.5 hours prancing around like a little girl, screaming at the top of her lungs, and carrying her confused, Asian daughter around like a dog in a handbag. The problem with continuing Charlotte's storyline on the show is her storyline came to the only logical conclusion it could have had at the end of the show. Now, it' just a retread through old territory. Davis is ultimately given a thankless role in this film.

However, it is Samantha who is given the most honest adaptation. While certainly a cartoon version of her former self, Samantha's story revolves around her inability to maintain a monogamous relationship - despite being very much in love. However the payoff is ultimately ruined as Samantha is no longer human.

This incarnation of 'Sex' is so incredibly shallow - it basically acts a prop to advertise luxury goods. The most obvious scenes to illustrate this are when Carrie tries on designer wedding dresses for a Vogue shoot, which goes on for an excruciating 10 minutes, followed closely by Carrie and co. going through her closet trying to decide what to take to her new apartment with husband-to-be Big (Chris Noth). The scene is ultimately pointless as she is moving to a closet that is 10 times to the size - which, if you can imagine it - is actually a plot point in a film that will make you feel compelled to throw out every designer label you own. The show was about the importance of following your own trajectory, and self actualization. The film abandons this concept.


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