7.7/10
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34 user 99 critic

Not Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008)

The story of the Australian exploitation genre cinema of 1970s and 80s.

Director:

Mark Hartley

Writer:

Mark Hartley

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1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Phillip Adams Phillip Adams ... Himself
Glory Annen ... Herself
Christine Amor Christine Amor ... Herself
Victoria Anoux Victoria Anoux ... Herself
Briony Behets ... Herself
Steve Bisley ... Himself
Jamie Blanks ... Himself
Graeme Blundell ... Himself
Russell Boyd ... Himself
Richard Brennan Richard Brennan ... Himself
Tom Burstall Tom Burstall ... Himself
Dan Burstall Dan Burstall ... Himself
Robin Copping Robin Copping ... Himself
Barry Crocker ... Himself
Lynette Curran ... Herself
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Storyline

The story of "Ozploitation" movies - a time when Australian cinema showed an explosion of sex, violence, horror and action. Includes anecdotes, lessons in maverick filmmaking and a genuine love of Australian movies. It moves through Aussie genre cinema of the 70s and early 80s - claiming it's an unjustly forgotten cinematic era of boobs, pubes, tubes... and even a little kung fu. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Finally an Aussie film packed full of boobs, pubes, tubes ... and a bit of kung fu. See more »

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated R for graphic nudity, sexuality, violence and gore, some language and drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Australia]

Country:

Australia | USA

Language:

English

Release Date:

28 August 2008 (Australia) See more »

Also Known As:

Além de Hollywood: O Melhor do Cinema Australiano See more »

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Box Office

Opening Weekend USA:

$4,694, 2 August 2009, Limited Release

Gross USA:

$19,368, 21 August 2009
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
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Did You Know?

Connections

Features Howling III (1987) See more »

Soundtracks

Undecided
Written by Mick Bower and Rick Morrison
Performed by The Masters Apprentices
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User Reviews

Don't miss this
20 November 2008 | by lazarilloSee all my reviews

This is an excellent documentary on the "Oz-ploitation" films of the 1970's and 80's. It covers a number of genres from sexploitation comedies ("Alvin Purple") to horror ("Patrick", "Long Weekend") to Down-Under Westerns ("Mad Dog Morgan") to auto-obsessed action flicks ("Mad Max"). They interview many of the directors/producers of these films including Brian Trenchant-Smith, Richard Franklin, Tony Ginane, and John Le Monde. They also interview a number of the English and American "name" actors (Jamie Lee Curtis, Stacy Keach, Dennis Hopper, Steve Railsback, George Lazenby) that came to work in Australian exploitation during this time. They all have some funny stories to tell (a drug-addled Dennis Hopper managed to wreak havoc even in the hard-drinking Australian outback). They even interview many of the local Aussie stuntmen and T-and-A queens, who certainly made their own daring contributions to these films. Moreover though, there are A LOT of clips from these films, and they serve to make this documentary more fast-moving and entertaining than most of the movies it covers.

It's unfortunate that many of the important figures from that era have died, like actor/director David Hemmings, but even they show up in archival footage. It also might have been nice to hear from people like Jenny Agutter and Olivia Hussey, who both made some memorable films Down Under. The omnipresent Quentin Tarantino, on the hand, had nothing to do with Australian films, but he certainly is VERY knowledgeable about them.

The only disappointing thing about this is the short shrift it gives to the more arty Australian films of this era--"Walkabout" is represented only by a single full-frontal still of Jenny Agutter, and some of the interviewees refer disparagingly to films like "Picnic at Hanging Rock". It's understandable that some of these "exploitation hacks" would resent the more arty, "culturally important" Australian films that received most of the international recognition (and government support), but the line between exploitation and art is a lot less clear than it's made out to be sometimes. Peter Weir who directed art films like "Picnic" and "The Last Wave" also directed much more straight-forward 70's genre films like "The Cars that Ate Paris" and "The Plumber". And if you look at the career of someone like Canadian David Cronenberg, it's certainly possible in many countries to start out as a genre/exploitation director and become an arty, more mainstream one. These resentments were more the result perhaps of the Australian film financing policies of the era than of any real differences between the two kinds of film. Whatever the case, this definitely an entertaining documentary. Don't miss it.


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