In France, the disturbed and mysterious Alexandre Demarre is hired as security guard for the Vigilante armored truck company earning 1,200 euros per month and lodges in a hotel nearby the ... See full summary »
Louis-Philippe Fourchaume, another typical lead-role for French comedy superstar Louis de Funès, is the dictatorial CEO of a French company which designs and produces sail yachts, and fires... See full summary »
Louis de Funès,
A detective in post-Katrina New Orleans has a series of surreal encounters with a troop of friendly Confederate soldiers while investigating serial killings of local prostitutes, a 1965 lynching, and corrupt local businessmen.
Tommy Lee Jones,
Ajatashatru Lavash Patel has lived all his life in a small Mumbai neighborhood tricking people with street magic and fakir stunts. He sets out on a journey to find his estranged father, but instead gets dragged on a never-ending adventure.
After nearly fifteen years behind bars, lefty revolutionary Bruno escapes and heads back to Grenoble, France. His plan? Settle some old scores, hook up with his foxy ex-lover, and avoid the... See full summary »
After realizing he finds it hard to manage alone and not to be dependent upon his son Thomas any more, retired police inspector Charles Boyer, who suffers from Alzheimer's, decides to leave his apartment and move into The Residence, a clinic treating neuro-degenerative illnesses. But he is puzzled when several patients around him die unexpectedly. Is it a delusion of his disturbed mind or are murders really being committed? This will be the object of Charles' most difficult investigation ever.Written by
It must be hard for an actor to work with reduced faculties. I think of Mathieu Amalric in The Butterfly and the Diving Bell, only able to move one eyelid, or John Hurt locked into that deformed body cast in The Elephant Man. But most of all I think of Julie Christie and Michael Murphy carrying on a love affair while suffering from Alzheimer's disease in Away From Her. I think the writers of Cortex must have seen Sarah Polley's film because the lives of the patients here are brought to life with impressive skill. I salute Andre Dussolier, Aurore Clement, Marthe Keller and Anne-Marie Faux (as Claire, the silent one who manages to give the clue to Charles in a painting--a great feat of crime fighting) for making these damaged people engrossing for the viewer.
I was wrapped up in Charles's attempt to solve a crime at the same time as he struggles with a debilitating disease: that's a fine piece of acting. Now if the director had just known how to cut 20 excess minutes out of his final cut, we would have had a really superb film.
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