Jordan Belfort is a Long Island penny stockbroker who served 22 months in prison for defrauding investors in a massive 1990s securities scam that involved widespread corruption on Wall Street and in the corporate banking world, including shoe designer Steve Madden.Written by
There are a total of six hundred eighty cuss words throughout the movie. See more »
When Jordan Belfort and Donnie Azoff decide to start their own brokerage trading company, there is an exterior shot showing them stopping at a small, abandoned auto garage for sale to see if it might serve as their firm's first location. The next scene is an interior shot of the garage showing them setting up for business. However, the interior size of the building shown is of a much larger building than what was filmed in the exterior shot. See more »
On new issue day? On cocksucking motherfucking new issue day? This is what you do!
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The film opens with a Stratton Oakmont advertisement hosted by Jordan Belfort. The film title appears only at the ending. See more »
News reports in local media have said the version of Wolf of Wall Street (2013) showing in Abu Dhabi cinemas removes 45 minutes of content. Aside from nudity and sexual situations, most of the edits come from the film's 500+ curse words. Time Out Abu Dhabi reported offensive language was removed by "either by muting the audio temporarily or chopping chunks from scenes mid sentence, which produces a jarring effect for viewers." See more »
Movin' Out (Anthony's Song)
Written by Billy Joel
Performed by Billy Joel
Courtesy of Columbia Records
By arrangement with Sony Music Licensing See more »
Where Human Flaws Make a Rotten Core
Brilliantly acted, superbly written and as one would expect from a picture by Martin Scorsese, it is a masterclass of directorial craft.
Showy when it needs to be, but also quiet and contemplative. "The Wolf of Wall Street" is the equivalent of something like "Good Fellas" or even more so "Casino" but set in the world of finance. The suits might be more expensive but the people who wear them are just as sick and violent as their street-mob counterparts. Sardonic in humor and unflinching in showing the depravity of its characters, it marks somewhat of a different approach to the world of stock-trading than Oliver Stone's "Wall Street".
Where Stone seems more in line with Bertold Brecht who considered theater (or in this case film) a moral institution, does Scorsese take the position of the omnipresent observer of the dark side of the American and in many cases the human dream.
Leonard DiCaprio gives another stellar performance of great intensity and even greater tragedy while this tale of corruption, greed and self-righteousness unfolds.
It's a vast panorama that shows how during the last twenty-five to thirty years gullibility as well as our innate greed make all of us accomplices in this never-ending pyramid scheme far away from any reality.
One could almost hear Scorsese's clerical background come to the fore again, according to which nobody is without sin, and therefore we are all susceptible to corruption.
It is our decision on which side we choose to live that makes the difference. For every individual but also society as a whole.
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