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Title: Hanna (2011)
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| Cast overview, first billed only: | |||
| Saoirse Ronan | ... | Hanna | |
| Eric Bana | ... | Erik Heller | |
| Vicky Krieps | ... | Johanna Zadek (as Vicky Kreips) | |
| Cate Blanchett | ... | Marissa Wiegler | |
| Paris Arrowsmith | ... | CIA Tech #1 | |
| John Macmillan | ... | Lewis | |
| Tim Beckmann | ... | Walt | |
 |
Paul Birchard | ... | Bob |
|
|
Christian Malcolm | ... | Head of Ops |
| Jamie Beamish | ... | Burton | |
|
|
Tom Hodgkins | ... | Monitor |
|
|
Vincent Montuel | ... | Camp G Doctor #1 |
| Nathan Nolan | ... | Camp G Doctor #2 | |
| Michelle Dockery | ... | False Marissa | |
| Jessica Barden | ... | Sophie | |
See how director Joe Wright uses his signature tracking shots to set up a visual narrative for his films, including Atonement, The Soloist, and Hanna.
Hanna (Saoirse Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the skills of a soldier. These come from being raised by her father, Erik Heller (Eric Bana), an ex-C.I.A. man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by ruthless intelligence operative, Marissa Wiegler (Cate Blanchett), who has secrets of her own. As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity. Written by Focus Features
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A 'different' movie. Bad storyline coupled with great direction / camera / sound. Technically brilliant. The net result is quite enjoyable. One does have to suspend disbelief to take in the gaps in logic, but once you do that, it's a good ride.
The entire movie is in effect a large chase, and the direction has brought about this element superbly. The camera work and sound kept me glued.
There seems to be quite a few reviews that talk of all the gaps in logic and reasoning in the movie. They are all true, but I found the high levels of technical brilliance more than made up for it.
In the end, not a 'great' movie, but one that I nevertheless quite enjoyed.