Detective Sherlock Holmes and his stalwart partner Watson engage in a battle of wits and brawn with a nemesis whose plot is a threat to all of England.
High-strung father-to-be Peter Highman is forced to hitch a ride with aspiring actor Ethan Tremblay on a road trip in order to make it to his child's birth on time.
Director:
Todd Phillips
Stars:
Robert Downey Jr.,
Zach Galifianakis,
Michelle Monaghan
In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Director:
Guy Ritchie
Stars:
Henry Cavill,
Armie Hammer,
Alicia Vikander
Big-city lawyer Hank Palmer returns to his childhood home where his father, the town's judge, is suspected of murder. Hank sets out to discover the truth and, along the way, reconnects with his estranged family.
Director:
David Dobkin
Stars:
Robert Downey Jr.,
Robert Duvall,
Vera Farmiga
Jack Sparrow races to recover the heart of Davy Jones to avoid enslaving his soul to Jones' service, as other friends and foes seek the heart for their own agenda as well.
Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Captain Barbossa, Will Turner and Elizabeth Swann must sail off the edge of the map, navigate treachery and betrayal, find Jack Sparrow, and make their final alliances for one last decisive battle.
Director:
Gore Verbinski
Stars:
Johnny Depp,
Orlando Bloom,
Keira Knightley
Blacksmith Will Turner teams up with eccentric pirate "Captain" Jack Sparrow to save his love, the governor's daughter, from Jack's former pirate allies, who are now undead.
Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.
After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler.Written by
The Massie Twins
When Sherlock says "Now that you're sitting comfortably, I shall begin." to begin explaining Blackwood's plot, it is a reference to a BBC children's radio program from the 1950s, Listen With Mother, which was famous for its opening line "Are you sitting comfortably? Then I'll begin." See more »
Goofs
During the bare-knuckle fight scene, Holmes gets a cut on his left lower lip. There is blood from it on his shirt when Watson comes to get him to meet Lord Blackwood before the execution. In the next scene, when Holmes and Watson are on their way to the prison, there is no sign of the cut on Holmes lip. Yet it is clearly visible in the prison scene that follows. See more »
Quotes
[first lines]
Sherlock Holmes:
[voice-over]
Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.
See more »
Crazy Credits
The credit for costume designer is shown over a frame from the scene in which Holmes is handcuffed to Irene's bed, not wearing any clothes at all. See more »
Adagio from String Quartet Opus 1 No. 3 In D Major
Written by Franz Joseph Haydn
Arranged by Rick Wentworth
Performed by The Isobel Griffiths Ensemble
Courtesy of Pathé Productions Limited See more »
The grandfather of the mystery genre -- and film's most adapted character -- is none other than the great detective Sherlock Holmes, so if one were to apply Holmes' own deductive reasoning skills, a modern reinvention was a matter of time. English Director Guy Ritchie ("Snatch," "RocknRolla") applies his witty and gritty crime thriller style to the first mainstream 21st Century version of Holmes, one that will likely appeal to a younger crowd and those less familiar with previous incarnations of the iconic sleuth.
The reason is the new "Holmes" is much less concerned with the quality of the mystery and more focused on breathing a new quirkiness and style into the character and his top-notch detective work. The script hopes you'll be hooked on the reveal of how Holmes figures everything out and not so much the crime/mystery itself. In other words our new "Holmes" is about creating an entertaining diversion in the form of clever logic, high-brow humor and old-school science -- it uses mystery conventions but to a showier end. Wisely, Warner Bros. has trusted the responsibility of delivering this amusement to one of the best and hottest comedians out there in Robert Downey Jr.
Downey Jr. continues to impress in his turn as Holmes, managing to employ his same wit and charms while creating a unique character that makes you feel as if you're watching Holmes, not RDJ with yet another accent. This Holmes is not merely a wise detective of old, but the quirky type, suggesting some insanity behind the genius. RDJ makes him much more colorful and entertaining and takes attention away from an okay storyline.
The mystery surrounds Lord Blackwood (Mark Strong), who appears to have supernatural abilities derived from an ancient magic. He creates terror in London appearing to have risen from the grave and committed a couple murders. Holmes and his dear friend Dr. Watson (Jude Law) are on the verge of ending their partnership because Watson has plans to settle down and marry when the crafty Irene Adler (Rachel McAdams) gets them deep into the Blackwood case.
The supernatural angle didn't work well for the latest Indiana Jones film and it doesn't exactly do well here. "Sherlock Holmes" Ver. 2009 is a little more Dan Brown "Angels & Demons" and a little less "Se7en." This is fine for those who can look to Holmes for a more mainstream romp than what an older crowd might hope to be a rigorous exercise in fine mystery and logic. Again, the fewer the expectations, the better.
As for the lean and mean Guy Ritchie depiction of Holmes, it's not entirely unfounded. The script creatively draws the connection between Holmes' intellectual prowess and how he might use it in a physical bout. It adds another dimension and ups the entertainment factor of the character. It might feel like it's giving a character steroids to put on more of a show, but the appeal would be too narrow if Holmes were straight-laced. Credit, however, has to go to Downey Jr. for making this vision work. His banter with Watson and ability to use classic Holmes logic to a comic effect is infinitely enjoyable.
It does take a bit of settling in to understand exactly what direction this new Holmes is going in, but it works thanks to RDJ and picks up as the mystery thickens and Holmes' limits are tested. McAdams' character lacks enough strength to stay memorable and as much as I like Strong, his character lacks dimension too. But the rebirth of Holmes will be a nice Holiday escape for the modern audience and those willing to keep an open mind. It's not your grandfather's "Sherlock Holmes" but can you think of any reason why it should be?
~Steven C
Visit my site at moviemusereviews.com
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The grandfather of the mystery genre -- and film's most adapted character -- is none other than the great detective Sherlock Holmes, so if one were to apply Holmes' own deductive reasoning skills, a modern reinvention was a matter of time. English Director Guy Ritchie ("Snatch," "RocknRolla") applies his witty and gritty crime thriller style to the first mainstream 21st Century version of Holmes, one that will likely appeal to a younger crowd and those less familiar with previous incarnations of the iconic sleuth.
The reason is the new "Holmes" is much less concerned with the quality of the mystery and more focused on breathing a new quirkiness and style into the character and his top-notch detective work. The script hopes you'll be hooked on the reveal of how Holmes figures everything out and not so much the crime/mystery itself. In other words our new "Holmes" is about creating an entertaining diversion in the form of clever logic, high-brow humor and old-school science -- it uses mystery conventions but to a showier end. Wisely, Warner Bros. has trusted the responsibility of delivering this amusement to one of the best and hottest comedians out there in Robert Downey Jr.
Downey Jr. continues to impress in his turn as Holmes, managing to employ his same wit and charms while creating a unique character that makes you feel as if you're watching Holmes, not RDJ with yet another accent. This Holmes is not merely a wise detective of old, but the quirky type, suggesting some insanity behind the genius. RDJ makes him much more colorful and entertaining and takes attention away from an okay storyline.
The mystery surrounds Lord Blackwood (Mark Strong), who appears to have supernatural abilities derived from an ancient magic. He creates terror in London appearing to have risen from the grave and committed a couple murders. Holmes and his dear friend Dr. Watson (Jude Law) are on the verge of ending their partnership because Watson has plans to settle down and marry when the crafty Irene Adler (Rachel McAdams) gets them deep into the Blackwood case.
The supernatural angle didn't work well for the latest Indiana Jones film and it doesn't exactly do well here. "Sherlock Holmes" Ver. 2009 is a little more Dan Brown "Angels & Demons" and a little less "Se7en." This is fine for those who can look to Holmes for a more mainstream romp than what an older crowd might hope to be a rigorous exercise in fine mystery and logic. Again, the fewer the expectations, the better.
As for the lean and mean Guy Ritchie depiction of Holmes, it's not entirely unfounded. The script creatively draws the connection between Holmes' intellectual prowess and how he might use it in a physical bout. It adds another dimension and ups the entertainment factor of the character. It might feel like it's giving a character steroids to put on more of a show, but the appeal would be too narrow if Holmes were straight-laced. Credit, however, has to go to Downey Jr. for making this vision work. His banter with Watson and ability to use classic Holmes logic to a comic effect is infinitely enjoyable.
It does take a bit of settling in to understand exactly what direction this new Holmes is going in, but it works thanks to RDJ and picks up as the mystery thickens and Holmes' limits are tested. McAdams' character lacks enough strength to stay memorable and as much as I like Strong, his character lacks dimension too. But the rebirth of Holmes will be a nice Holiday escape for the modern audience and those willing to keep an open mind. It's not your grandfather's "Sherlock Holmes" but can you think of any reason why it should be?
~Steven C
Visit my site at moviemusereviews.com