Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
After finally catching serial killer and occult "sorcerer" Lord Blackwood, legendary sleuth Sherlock Holmes and his assistant Dr. Watson can close yet another successful case. But when Blackwood mysteriously returns from the grave and resumes his killing spree, Holmes must take up the hunt once again. Contending with his partner's new fiancée and the dimwitted head of Scotland Yard, the dauntless detective must unravel the clues that will lead him into a twisted web of murder, deceit, and black magic - and the deadly embrace of temptress Irene Adler.Written by
The Massie Twins
Before the scene where Sherlock Holmes reenacts the black magic ceremony, we see a brief shot of an inn called The Punch Bowl. The Punch Bowl is the name of Guy Ritchie's pub in Mayfair, London. See more »
Although Sherlock Holmes refers to the book of Revelation as "Revelations", it is noted by Watson in the Sir Arthur Conan Doyle novel "A Study in Scarlet" that Holmes' knowledge was limited to what he found relevant to his detective work, and in fact that he had very little knowledge of literature or philosophy. See more »
Head cocked to the left, partial deafness in ear: first point of attack. Two: throat; paralyze vocal chords, stop scream. Three: got to be a heavy drinker, floating rib to the liver. Four: finally, drag in left leg, fist to patella. Summary prognosis: unconscious in ninety seconds, martial efficacy quarter of an hour at best. Full faculty recovery: unlikely.
See more »
Part of the closing credits are a sequence of illustrated scenes from the film. See more »
As with most of Hollywood "blockbuster" cinema these days, the film suffers from an inescapable, one-dimensionalism. It is all about style; the cinematography, costuming, digital sets and effects, etc. are all top notch. As well, the quippy dialogue betrays a certain shallow, slick stylism that the script suffers from in general. However, far from being a clever distillation of the best of Holmes and Watson, the film instead suffers throughout from a post-modernistic reductionism that flattens our heroes into effete, world-weary caricatures of their literary counterparts.
In a nutshell, for Holmes enthusiasts particularly, the film--in spite of the stylishly depicted action sequences--is dull and soulless, almost as if bored with its own pointlessness. Telling of our times, perhaps, but far from great storytelling.
10 of 13 people found this review helpful.
Was this review helpful to you?
| Report this