A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In the mid-1970's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. She's Mary Dinkle, the only child of an alcoholic mother and a distracted father. He's Max Horowitz, an overweight man with Asperger's, living alone in New York. He writes back, with chocolate. Thus begins a 20-year correspondence, interrupted by a stay in an asylum and a few misunderstandings. Mary falls in love with a neighbor, saves money to have a birthmark removed and deals with loss. Max has a friendship with a neighbor, tries to control his weight, and finally gets the dream job. Will the two ever meet face to face?Written by
The cat shelter that Ivy leaves her money to is named after T.S. Eliot, the author of 'Old Possum's Book of Practical Cats', which was the inspiration for the musical Cats (2019). See more »
When Mary flips open the phonebook at the Finkelstein entries, the same 7 lines are repeated. When she points at the entry for Horowitz (having not flipped the pages at all), 6 of the same 7 addresses are used (all but the one for M J A Horowitz); only the names have been changed. The one that is changed is from Herbert to Hubert and inexplicably leaves an extra blank space between Hubert and Street. See more »
Mary Dinkle's eyes were the color of muddy puddles. Her birthmark, the color of poo.
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Before the end credits the next quote appears: "God gave us our relatives; thank God we can choose our friends" by Ethel Watts Mumford. See more »
Composed by Simon Jeffes
Published by Editions Penguin Café Ltd
Performed by Penguin Cafe Orchestra (as Penguin Café Orchestra)
Courtesy of Virgin Records Ltd
Under license from EMI Music Australia Pty Limited. See more »
Coming from Australia, Mary and Max is one of these few films you'll remember all your life. This amazing claymation touches upon an unlikely friendship between two pen pals: a young girl living in Australia and an aging Jew from New York. It's unbelievable what a precisely structured narrative this is. Director-writer Adam Elliot blends odd scatological, yet clever humour with poignant dramatizations to a splendid effect creating one of the best tragicomedies of the past few years. The fact that it's in the form of claymation only helps to enhance uniqueness of the whole experience. The movie was 5 years in the making and this is visible in its every frame. Elliot masterly captures the motion in an endlessly creative manner. Most importantly though, his lovably oddball characters are well developed and admirably complex with all their awkward traits and quirks. Due to its serious themes and dark tone, Mary and Max is an adult movie aiming much higher than its big studio counterparts. It happens to be more contemplative, and intelligent mimicking the real life with all its ups and downs. Calling Elliot's movie an extraordinary piece of art is certainly not an overstatement.
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