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229 user 385 critic

Hitchcock (2012)

PG-13 | | Biography, Drama | 14 December 2012 (USA)
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2:40 | Trailer

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ON DISC
The relationship between Alfred Hitchcock and his wife Alma Reville during the filming of Psycho (1960) in 1959 is explored.

Director:

Writers:

(screenplay), (book)
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Popularity
4,585 ( 47)
Nominated for 1 Oscar. Another 4 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Alfred Hitchcock
... Alma Reville
... Janet Leigh
... Whitfield Cook
... Peggy
... Lew Wasserman
... Ed Gein
... Vera Miles
... Anthony Perkins
... Barney Balaban
... Geoffrey Shurlock
... Joseph Stefano
... Hilton Green
... Rita Riggs
... Saul Bass
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Storyline

In 1959, Alfred Hitchcock and his wife, Alma Reville, are at the top of their creative game as filmmakers amid disquieting insinuations about it being time to retire. To recapture his youth's artistic daring, Alfred decides his next film will adapt the lurid horror novel, Psycho (1960), over everyone's misgivings. Unfortunately, as Alfred self-finances and labors on this film, Alma finally loses patience with his roving eye and controlling habits with his actresses. When an ambitious friend lures her to collaborate on a work of their own, the resulting marital tension colors Alfred's work even as the novel's inspiration haunts his dreams. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Add Synopsis

Taglines:

Behind every Psycho is a great woman. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent images, sexual content and thematic material | See all certifications »

Parents Guide:

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Details

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Release Date:

14 December 2012 (USA)  »

Also Known As:

Alfred Hitchcock and the Making of 'Psycho'  »

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Box Office

Opening Weekend USA:

$287,715, 23 November 2012, Limited Release

Gross USA:

$6,008,677

Cumulative Worldwide Gross:

$23,570,541
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Among actors considered and auditioned to play Anthony Perkins, were Ben Barnes, Jack Huston, Jackson Rathbone, Tom Felton, Ryan Merriman, and Aaron Taylor-Johnson. See more »

Goofs

When Hitch is in the meeting with the censors, the stenographer is clearly faking the keystrokes. See more »

Quotes

[first lines]
Henry Gein: It's lucky it didn't reach the house.
Ed Gein: Yeah.
Henry Gein: You know, there's gonna be a lot more jobs at that factory in Milwaukee come June. I could put in a word.
Ed Gein: You can't leave us, Henry. She needs us both.
Henry Gein: Can you stop being a mama's boy for one second? I'm not trying to hurt you, but Jesus, you gotta live your own life sometime. That woman can take care of her own god...
[Ed hits Henry with a shovel]
Alfred Hitchcock: Good evening. Well, brother has been killing brother since Cain and Abel, yet even I didn't ...
[...]
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Crazy Credits

As Hitch addresses his audience at the end of the picture, he tells us that he is bereft of ideas for his next picture... then a large, black bird lands on his shoulder. See more »

Connections

References The Man Who Knew Too Much (1956) See more »

Soundtracks

Two Hearts Entwine
Wtitten by Jimmy Hastings
Courtesy of Opus 1 Music
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Frequently Asked Questions

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User Reviews

 
Startling Surprise

The odds were against it, let's face it. Then after that TV film about the obsession of Hitch for Tippi Hedren, what was it called? something like "The Girl" Brrrr. I thought, what a pity. But then, I went to see it and I was not merely thoroughly entertained but delighted. Anthony Hopkins and Helen Mirren make a formidable pair. Mirren, in spite of her glamour, I've never seen Alma Reville, as glamorous, Mirren truly captures the essence of the woman and makes that marriage not just feasible but ideal in so many ways. The script, smart and witty and gives a glimpse into what might have really happened. Janet Leigh (a terrific Scarlett Johansson)thanking Hitch and kissing him on the cheek. Look at Hitch/Hopkins's face when that happens. A child. I believed it. So, considering the odds against it, a triumph.


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