Dr. Helen Benson is summoned to a military facility with several other scientists when an alien spacecraft of sorts arrives in New York City. Aboard is a human-like alien and a giant robot of immense size and power. The alien identifies himself as Klaatu and says he has come to save the Earth. The US military and political authorities see him as a threat however and decide to use so-called intensive interrogation techniques on him but Dr. Benson decides to facilitate his escape. When she learns exactly what he means when he says he is there to save the Earth, she tries to convince him to change his intentions.Written by
The film was primarily filmed in tones of green and blue, the Earth's natural colors. See more »
The formation that Whiskey Task Force forms up in when GORT breaks out is militarily unsound; placing all of the unit's vehicles and troops within a large mass presents a large target area that could be exploited by the enemy. See more »
There must be alternatives. You must have some technology that could solve our problem.
Your problem is not technology. The problem is you. You lack the will to change.
Then help us change.
I cannot change your nature. You treat the world as you treat each other.
But every civilization reaches a crisis point eventually.
Most of them don't make it.
Yours did. How?
Our sun was dying. We had to evolve in order to survive.
So it was only when your world was threated with destruction that you became...
[...] See more »
Let's be blunt: this is definitely not a good movie; it's not horrid either, it's just somewhere between average and bad. There are quite a few problems. First, with the script, which tries to incorporate all elements of the 1951 movie into a new, updated whole. The end result lacks cohesion and plays more like a sequence of 5 to 10 minutes scenes badly sewn together, the prime objective of each scene being either to introduce an element taken from the original movie or, on the contrary, an idea absent form the1951 original, instead of simply advancing the story. Second, the direction: poor, poor, poor. Third, some of the worst acting I have seen in a mainstream movie for a long time; I found the leads, especially Keanu, quite good but the other actors are decent at best, with Katie Bates delivering a frighteningly catastrophic 'performance'. I was not shocked (positively or negatively) by all the other aspects of the film.
Coming out of the theater, I found myself pondering about this remake and the 1951 original. I find the Robert Wise movie quite good, but not the masterpiece some claim it to be. I was therefore ready to accept a remake and the few new ideas offered by the 2008 movie made me painfully aware that a remake could indeed have been interesting, had it been put in better hands or, if I dare say so, in much better hands. So, to me, it's another sadly missed opportunity.
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