When the newly-crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister Anna teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Hugo is an orphan boy living in the walls of a train station in 1930s Paris. He learned to fix clocks and other gadgets from his father and uncle which he puts to use keeping the train station clocks running. The only thing that he has left that connects him to his dead father is an automaton (mechanical man) that doesn't work without a special key. Hugo needs to find the key to unlock the secret he believes it contains. On his adventures, he meets George Melies, a shopkeeper, who works in the train station, and his adventure-seeking god-daughter. Hugo finds that they have a surprising connection to his father and the automaton, and he discovers it unlocks some memories the old man has buried inside regarding his past.Written by
A few pen strokes after the automaton begins to write, it stops and brings its elbow back to its side. In the next shot, however, the pen is still out in the middle of the paper, as if the arm were still extended. In the same scene, the automaton finishes its larger drawing, pulls its elbow back to its side, and raises its head upright to signal it is finished (at around 54 mins). In a subsequent shot, the head is still angled downward to the paper (at around 55 mins). See more »
This might be an adventure, and I've never had one before - outside of books, at least.
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There is only one opening credit, the film's title, which does not appear until nearly 15 minutes into the film. See more »
A film adventure in every sense of the word. I was propelled into Martin Scorsese's cinematic mind in a film he made for his 12 year old daughter. Everything about it speaks of love of cinema. I wept, I must confess it right here and now. I really wept. Not just for the humanity of the story but by the heart and mind of the man behind the camera. This is the same man who gave us "Taxi Driver", "Raging Bull", "Goodfellas" Every detail enriches our experience. Dante Ferreti's production design is, monumental, costumes, photography and Howard Shore's score are, quite simply, breath taking. I'm running out of superlatives and I haven't yet mentioned Sacha Baron Cohen, priceless. There is moment in which our young protagonists sneak into a movie theater and sit in amazement watching Harold Lloyd hanging from the clock. For me, to see Lloyd in the big screen as part of Martin Scorsese's latest dream, is the highest and most moving point of my movie going year.
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