6.9/10
26,157
142 user 199 critic

The Conspirator (2010)

PG-13 | | Crime, Drama, History | 15 April 2011 (USA)
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ON DISC
Mary Surratt is the lone female charged as a co-conspirator in the assassination trial of Abraham Lincoln. As the whole nation turns against her, she is forced to rely on her reluctant lawyer to uncover the truth and save her life.

Director:

Robert Redford

Writers:

James D. Solomon (as James Solomon), James D. Solomon (story) (as James Solomon) | 1 more credit »
2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
James McAvoy ... Frederick Aiken
Robin Wright ... Mary Surratt
Kevin Kline ... Edwin Stanton
Evan Rachel Wood ... Anna Surratt
Tom Wilkinson ... Reverdy Johnson
Justin Long ... Nicholas Baker
Danny Huston ... Joseph Holt
James Badge Dale ... William Hamilton
Colm Meaney ... General Hunter
Alexis Bledel ... Sarah Weston
Johnny Simmons ... John Surratt
Toby Kebbell ... John Wilkes Booth
Jonathan Groff ... Louis Weichmann
Stephen Root ... John Lloyd
John Cullum ... Justice Wylie
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Storyline

In the wake of Abraham Lincoln's assassination, seven men and one woman are arrested and charged with conspiring to kill the President, the Vice-President, and the Secretary of State. The lone woman charged, Mary Surratt, 42, owns a boarding house where John Wilkes Booth and others met and planned the simultaneous attacks. Against the ominous back-drop of post-Civil War Washington, newly-minted lawyer, Frederick Aiken, a 28-year-old Union war-hero, reluctantly agrees to defend Surratt before a military tribunal. As the trial unfolds, Aiken realizes his client may be innocent and that she is being used as bait and hostage in order to capture the only conspirator to have escaped a massive manhunt, her own son. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

One bullet killed the President. But not one man.

Genres:

Crime | Drama | History

Motion Picture Rating (MPAA)

Rated PG-13 for some violent content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

15 April 2011 (USA) See more »

Also Known As:

El conspirador See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$3,509,048, 17 April 2011, Wide Release

Gross USA:

$11,538,204, 11 September 2011
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Robert Redford insisted that the actors stay in costume as much as possible so that the clothes would start to feel natural to them. Most of the actors complained at some point because the filming locations were unbearably hot. See more »

Goofs

In the scene when the conspirators are being hung, there are men stationed along the top of the wall of the prison. A photograph taken by Alexander Gardner shows twice the amount of men stationed along the top of the wall. See more »

Quotes

[first lines]
Frederick Aiken: Two men standing at the Pearly Gates. The first man says, "How'd you die?" Second says, "I froze to death. How 'bout you?" And the, uh, second man says, "Well, I thought my... my wife was being unfaithful to me, so I ran all the way home. And burst into the bedroom. She just..."
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Soundtracks

E Pluribus Unum
Words and Music by Harry Buckline
Arranged and Performed by Curtis Roush
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Frequently Asked Questions

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User Reviews

 
a terrific film with a small weakness
24 May 2011 | by davidkaoriSee all my reviews

I was reluctant to see "The Conspirator" because it has racked up a critical consensus of a kind I dislike: the film is said to be cold-hearted, and to make political points with a heavy hand. Neither of these, happily, turns out to be true. The film is utterly impassioned, and its interest for today is nicely noted without being too underlined. Nearly every element one wants in a great film is there: visual beauty, strong acting, fine pacing, stirring and well-made music. But there is a flaw. The creators have taken their creation too seriously. There's not a shaft of levity or humor anywhere. A requirement for great art is thereby missed. It doesn't matter how somber the subject is supposed to be. King Lear has his fool; even Wagner's ultra-dark Ring cycle has its powerful currents of humor. It's got to be there; otherwise, the whole organism suffers. I think this is the weakness to which reviewers have responded, even if none of them has precisely named it. On that ground, the film falls short of greatness; but in every other respect it approaches or achieves greatness. "The Conspirator" is hugely recommendable and I will certainly see it again.


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