After the tragic death of his wife and child, famed American author Joseph Crone travels from the United States to Barcelona, Spain, to reunite with his estranged brother Samuel and dying ... See full summary »
Darren Lynn Bousman
In the year 2056 - the not so distant future - an epidemic of organ failures devastates the planet. Out of the tragedy, a savior emerges: GeneCo, a biotech company that offers organ transplants, for a price. Those who miss their payments are scheduled for repossession and hunted by villainous Repo Men. In a world where surgery addicts are hooked on painkilling drugs and murder is sanctioned by law, a sheltered young girl searches for the cure to her own rare disease as well as information about her family's mysterious history. After being sucked into the haunting world of GeneCo, she is unable to turn back, as all of her questions will be answered at the wildly anticipated spectacular event: The Genetic Opera.Written by
In the original script the film began with the character Shilo Wallace going down to her mother's tomb and the first song was 21st Century Cure. The creators thought that how the movie started was too slow so they decided to take the song 'Genetic Repoman' that was suppose to play at the end of the film and put it at the very beginning. Then they cut the scene Thing's You See in a Graveyard into two separate parts and played part 1 after Genetic Repoman. This gave the film more of a bigger and dramatic opening. See more »
Repo the Genetic Opera is a breath of fresh air in a stale world of Horror movie copy cats
We just got from seeing the Repo premiere and now I can't wait until November to see it again. The film was phenomenal! It was beautiful to watch and extremely entertaining. Repo far surpasses the Saw films in originality, creativity, and artistic integrity. This is not simply a slasher film, although there is plenty of violence to keep gore fans happy, there is a very interesting and unique story being told here. In fact, a whole world has been created in Repo and there is plenty of room for more stories to follow. Unlike many sequels, a sequel to Repo would be completely justified in respect to its content.
The music was catchy and I walked back to the hotel with it running through my head. There is a nice variety of songs featured in Repo and, as is natural with a collection of songs, fans will have their favorites and their least favorites. I can honestly say that even my least favorite songs were still necessary in the context of the film and I didn't really mind them. I was slightly caught off guard by how pop a couple of the musical numbers were, but again they were appropriate for the part of the film they were featured in.
Another surprise was the size of roles in the film. The roles played by Ogre, Bill Moseley, and Paris Hilton were not as prominent as I had imagined them being (and yes Paris gave a good performance). They seemed to have less screen time than the rest of the stars. This is not a serious complaint of the film itself, just a desire for more (especially Ogre). Skinny Puppy fans have never seen Ogre quite like this (just wait until you hear his voice). Other personal favorites (aside from Ogre) were The Grave Robber, Anthony Head, and Sarah Brightman.
Darren, the Cast and Crew, and the Producers of Repo the Genetic Opera have created a beautiful thing here. This is a horror movie with true originality in story and in visuals. They went out on a limb to make something new, something that hasn't already been proved to work and that type of effort needs to be supported; otherwise we will continue to be given "New" movies that it feels like we have seen before. I know the wait has been long, but I can now tell you with certainty that it is well worth the wait.
If originality is not supported it will continue to disappear.
Please support Repo the Genetic Opera.
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