Credited cast: | |||
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Matthieu Chedid | ... | Francoeur (voice) (as -M-) |
Vanessa Paradis | ... | Lucille (voice) | |
Gad Elmaleh | ... | Raoul (voice) | |
François Cluzet | ... | Le préfet Maynott (voice) | |
Ludivine Sagnier | ... | Maud (voice) | |
Julie Ferrier | ... | Madame Carlotta (voice) | |
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Bruno Salomone | ... | Albert (voice) |
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Sébastien Desjours | ... | Emile (voice) |
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Philippe Peythieu | ... | Pâté / Le narrateur (voice) |
Rest of cast listed alphabetically: | |||
Bob Balaban | ... | Pâté (voice) | |
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Paul Bandey | ... | Narrator / Newsman / Policeman / Journalist (voice) |
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Jodi Forrest | ... | Madame Omelette (voice) (as Jodie Forrest) |
David Gasman | ... | Clerk (voice) | |
Adam Goldberg | ... | Raoul (voice) | |
Matthew Géczy | ... | Albert (voice) |
Paris, 1910. Emile, a shy movie projectionist, and Raoul, a colorful inventor, find themselves embarked on the hunt for a monster terrorizing citizens. They join forces with Lucille, the big-hearted star of the Rare Bird cabaret, an eccentric scientist and his irascible monkey to save the monster, who turns out to be an over-sized but harmless flea, from the city's ruthlessly ambitious police chief. Written by The Film Catalogue
Having seen the preview and admired the cityscapes, I was disappointed to see that here in Israel the movie was strictly a matinée feature and dubbed into Hebrew. No showings for us folks who work during the day and would prefer subtitled French. I picked up a pirated copy, which turned out to be dubbed into English. I found the opening tribute to early French cinema a little tiresome, but I have no problem being patient while a well-deserved tribute is made. Then as the archetypal Parisian characters were introduced, I found the portraiture amusing. There was a long wait before the title character appeared and before the first song, and I found the first song less interesting than the later ones (although that may be intentional). The dance movements were nicely animated although a little sexy for a children's movie; overall I think the movie seems to have been conceived under the philosophy of "something for everyone" rather than "everything for kids." After a while, the stereotyped characterizations wore thin and there seemed to be less compensation for those of us missing 3D. I actually fell asleep during the big chase sequence near the end, which I suppose was some kind of a roller-coaster ride for the 3D audience. By the time it was over, the movie had evidently achieved everything it wanted although not always a lot of it at the same time.