It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.Written by
A young couple living in 1950's suburbia think they are different from all the other families living the American Dream. Although, they soon find out that not every dream comes true and they fall exactly into the situations they didn't want to be in. Their marriage is falling apart, they have trouble raising their children and they want out of this lifestyle.
Sam Mendes is a filmmaker who knows exactly what he wants, which is why he would want to work on this film. Revolutionary Road is probably his least interesting film, story wise. After-all, it's just about two people who try to cope with their lives. There is no motivational plot to it, but the thing about this film is that it doesn't need one. We are getting a glimpse into the lives of two people who had big dreams and realized that they had to sacrifice them in order to live their lives. It's sad, but it also rings true.
The film stars Leonardo DiCaprio and Kate Winslet, as the married couple who constantly fight. Everyone called this film the "What If Jack and Rose Ended Up Together" movie. Yet it is so much more than that. They give powerful performances, which unfortunately were overlooked during the Oscar season. Another Titanic star, Kathy Bates, gives her support to the couple as the real estate agent who thinks the world of them. She has a son, who is mentally unstable and asks to bring him over for dinner one night. Michael Shannon plays the son and he steals both scenes he is in. For a guy who is deemed insane, he is the only one who speaks the truth.
I watched this flick because so many people told me how depressing it was. While it was depressing I didn't find it to be that bad. The most depressing aspect of the film is how relatable it is to real life. This story happens everywhere and that is the sad part.
The cinematography is great, the 1950's feel was spot on and really gave the film more of a cinematic sense of wonder to it. Roger Deakins seems to know exactly what is needed for every film he takes on. The look and feel of the film here is so simple, yet so beautiful at the same time.
Finally, I can see why people may not like this film. It's definitely an acquired taste. I was not in love with it by any means and for those involved it's not their best work. Instead it's a film to enjoy once. I wouldn't bother watching it again because the pace is long and I feel that I won't be as engaged a second time.
On a final note, why do guys from the 1950's only last about 15 seconds?
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