A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
A CIA agent on the ground in Jordan hunts down a powerful terrorist leader while being caught between the unclear intentions of his American supervisors and Jordan Intelligence.
Director:
Ridley Scott
Stars:
Leonardo DiCaprio,
Russell Crowe,
Mark Strong
Vicenarian Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss. Excited and intrigued, he sets out to find it.
Director:
Danny Boyle
Stars:
Leonardo DiCaprio,
Daniel York,
Patcharawan Patarakijjanon
After his father's death, Gilbert has to care for his mentally-disabled brother, Arnie, and his morbidly obese mother. This situation is suddenly challenged though, when love unexpectedly walks into his life.
Director:
Lasse Hallström
Stars:
Johnny Depp,
Leonardo DiCaprio,
Juliette Lewis
It's 1955. Frank and April Wheeler, are in the 'seven year itch' of their marriage; they're not happy. April has forgone her dream of being an actress, and Frank hates his job. One day, April suggests they move to Paris as a means to rejuvenate their life.Written by
Huggo
The parabolic-lensed fluorescent fixtures seen near the beginning of the film were not in use in the 1950s. See more »
Quotes
[first lines]
Frank Wheeler:
So, what do you do?
April Wheeler:
I'm studying to be an actress. You?
Frank Wheeler:
I'm a longshoreman.
April Wheeler:
No, I mean, really.
Frank Wheeler:
I mean really, too. Although starting next Monday I'm doing something a little more glamorous.
April Wheeler:
What's that?
Frank Wheeler:
Night cashier at a cafeteria.
April Wheeler:
I don't mean how you make money. I mean, what are you interested in?
Frank Wheeler:
Honey, if I had the answer to that one, I bet I'd bore us both to death in half an hour.
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Crazy Credits
At the end of the closing credits: "For Mia and Joe." See more »
Kate Winslet and Leonardo DiCaprio were the incentive of my going to see this film, and I could not be more convinced of their talent than I am after the two-hour brilliance.
This film is reality in its purest, yet magnificently artistic form the anger that is portrayed repetitively and in various occasions reminded me of the wrath I myself occasionally experience, from the overture of an argument to its climax; the screaming, the furious need to verbally and physically harm, punch, kick, no matter how much affection is felt towards the recipient. Even during the scenes that are meant to be tranquil, there is anxiety and tension hidden in their smiles, a sort of counterfeit politeness that should never be present in a happy relationship.
It is all a depiction of two genuine lives that have the potential of existing in complete harmony, yet cannot because of the stereotypical environment and situation they find themselves in. They both crave change, an alteration in their monotonous state of being, but because of the lengthy period of time that they have spent in such a circumstance, their mentality is differently modified. April (Kate Winslet) finds unreserved determination to leave to Paris and although her character seems at times erratic, we gradually come to understand that she is in fact the stronger personality of the two; she truly finds change favorable, whereas Frank (Leonardo DiCaprio) seems to find the idea of change more flattering than change itself.
Each choice a person makes can change a life, and that life is not always theirs. This film shows us just how wrong something right can be, as well as how right something wrong can be.
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Kate Winslet and Leonardo DiCaprio were the incentive of my going to see this film, and I could not be more convinced of their talent than I am after the two-hour brilliance.
This film is reality in its purest, yet magnificently artistic form the anger that is portrayed repetitively and in various occasions reminded me of the wrath I myself occasionally experience, from the overture of an argument to its climax; the screaming, the furious need to verbally and physically harm, punch, kick, no matter how much affection is felt towards the recipient. Even during the scenes that are meant to be tranquil, there is anxiety and tension hidden in their smiles, a sort of counterfeit politeness that should never be present in a happy relationship.
It is all a depiction of two genuine lives that have the potential of existing in complete harmony, yet cannot because of the stereotypical environment and situation they find themselves in. They both crave change, an alteration in their monotonous state of being, but because of the lengthy period of time that they have spent in such a circumstance, their mentality is differently modified. April (Kate Winslet) finds unreserved determination to leave to Paris and although her character seems at times erratic, we gradually come to understand that she is in fact the stronger personality of the two; she truly finds change favorable, whereas Frank (Leonardo DiCaprio) seems to find the idea of change more flattering than change itself.
Each choice a person makes can change a life, and that life is not always theirs. This film shows us just how wrong something right can be, as well as how right something wrong can be.