A motivational book written by a mysterious man quickly gains popularity, inspiring a group of people that includes a journalist, his editor, a former inmate, a hip-hop mogul, an actor and ...
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Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Director:
Damian Nieman
Stars:
Joe Nicolo,
Carl Mazzocone Sr.,
George Tovar
After watching their respective partners die, a New Orleans hitman and a Washington, D.C. detective form an alliance in order to bring down their common enemy.
Director:
Walter Hill
Stars:
Sylvester Stallone,
Jason Momoa,
Christian Slater
A young hot shot driver is in the middle of a championship season and is coming apart at the seams. A former CART champion is called in to give him guidance.
Director:
Renny Harlin
Stars:
Sylvester Stallone,
Kip Pardue,
Til Schweiger
Conservative street cop DaSilva reluctantly agrees to terminate an international terrorist who has demanded media attention. But DaSilva's "at-home" tactics are very much put to the challenge.
Directors:
Bruce Malmuth,
Gary Nelson
Stars:
Sylvester Stallone,
Rutger Hauer,
Billy Dee Williams
A motivational book written by a mysterious man quickly gains popularity, inspiring a group of people that includes a journalist, his editor, a former inmate, a hip-hop mogul, an actor and an undercover cop to re-evaluate their choices and decisions by confronting their fears in hopes of creating more positive lives.Written by
Anonymous
The fictional book cover after which the title is named, 'Reach Me' was painted by Sylvester Stallone. See more »
Goofs
When Father Paul and Colette are drinking coffee, in one shot Colette holds the mug near her face. In the next shot is on the table and again close to her in the following shot. See more »
Quotes
Gerald:
[Gerard yelling at Roger]
So what? What do you mean you haven't eaten no breakfast? When you're on a mission, nothing else matters. Not food, not hygiene, not women.
Gerald:
I would throw my mother under a bus, under four buses to complete a mission. You see, that's the difference between you and me. I'm not saying I'm proud of it, because I'm not. But when I'm focused on something, everything around me dies. I try bring her back to life later on, but it stays dead until I complete the mission. Whereas ...
[...] See more »
Alternate Versions
Originally completed and rated R by the MPAA, the movie was delayed and subsequently re-edited to reduce strong violence and profanity (including use of the word 'motherfucker') to get a PG-13 rating. This new version was also released in the UK, under the title of "Collection", having been previously been rated but not released as "Out of Sight". See more »
2.9 of 10. If this were a satire of self-help books/videos/whatever, it may have turned out better. As an indication of the writer's/director's inability and possibly the misunderstanding of Kickstarter financiers who may have assumed it was intended to be ironic, Reach Me fails to reach beyond self promotion and getting a cast of Hollywood zombies/ex-stars a paycheck.
I liked that the title and story interact/self-reference each other, but that's only enough to provide an artistic intro for the story and keeping your interest for about 15 minutes awaiting something more. What you get are clichés and Sylvester Stallone trying to sell his own real-life paintings.
If you want to get much more entertainment and self-help than this film will ever provide, go to a theater playing this and yell "I don't watch Reach Me" until they ask you to leave.
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2.9 of 10. If this were a satire of self-help books/videos/whatever, it may have turned out better. As an indication of the writer's/director's inability and possibly the misunderstanding of Kickstarter financiers who may have assumed it was intended to be ironic, Reach Me fails to reach beyond self promotion and getting a cast of Hollywood zombies/ex-stars a paycheck.
I liked that the title and story interact/self-reference each other, but that's only enough to provide an artistic intro for the story and keeping your interest for about 15 minutes awaiting something more. What you get are clichés and Sylvester Stallone trying to sell his own real-life paintings.
If you want to get much more entertainment and self-help than this film will ever provide, go to a theater playing this and yell "I don't watch Reach Me" until they ask you to leave.