Adrienne Willis, a woman with her life in chaos, retreats to the tiny coastal town of Rodanthe, in the Outer Banks of North Carolina, to tend to a friend's inn for the weekend. Here she hopes to find the tranquility she so desperately needs to rethink the conflicts surrounding her -- a wayward husband who has asked to come home, and a teen-aged daughter who resents her every decision. Almost as soon as Adrienne gets to Rodanthe, a major storm is forecast and a guest named Dr. Paul Flanner arrive. The only guest at the inn, Flanner is not on a weekend escape but rather is there to face his own crisis of conscience. Now, with the storm closing in, the two turn to each other for comfort and, in one magical weekend, set in motion a life-changing romance that will resonate throughout the rest of their lives...Written by
By January 2010, shoreline erosion had left the Serendipity house completely in the surf. New owners hired one of the companies that moved the Cape Hatteras lighthouse to move Serendipity to a somewhat less spectacular, but somewhat safer nearby lot in Rodanthe. Only the house's exterior appears in the film - the interiors existed only in a studio. The owners reportedly plan to remodel the house, re-creating the studio interiors, to enhance its value as a vacation rental. See more »
In the opening sequence Dr. Paul Flanner is shown driving north on Route 12, apparently toward Rodanthe from Raleigh. (The ocean is to his right.) And he's seen making a ferry crossing, later discussed in the dialogue, which would have been the Ocracoke-Hatteras Island ferry, south of Rodanthe. But in the same early sequence, he's seen crossing the Herbert C. Bonner bridge at Oregon Inlet, which is actually north of Rodanthe, connecting Bodie Island and Hatteras Island. In fact, the driving route between Raleigh and Rodanthe would almost certainly not include any ferry crossings, which are considerably further south than the Raleigh-Rodanthe route, and would approach Rodanthe from the north. See more »
When Jack left me, it wasn't just our marriage ending. It was the loss of all the hopes that I'd had for the future. I tried to move on, but the world didn't seem that interested in me anymore. Then you came along, and helped me believe in myself again.
See more »
This movie is like a baseball player trying to hit a home run and gets really close to hitting one out of the park but never quite makes it. The producer of this movie is trying to convey some kind of important message to the audience and does a good job trying but succeeds only in sending bits and pieces. This movie also raises other questions: Is Hollywood still able to produce a love story that succeeds in keeping the audience's interest? Is Hollywood still able to produce a love story that is not corny? Is Hollywood still able to produce a love story that is well-acted and well-written? Amazingly, shockingly, unbelievably, after watching this movie, the answer to these questions is a qualified yes. Parts of this movie are tedious and can bring a viewer to the brink of slumber, but the movie sufficiently recovers to keep the audience at least awake if not thrilled. The story avoids corniness and the usual Hollywood contrivances that render such Hollywood movies unintentionally laughable and has an upbeat ending in what is, for Hollywood, an attempt to tell a dramatic story involving deeply emotional themes. Diane Lane's performance is outstanding. She is definitely the star of this movie. If you decide to take the time and spend the money to watch this movie, please remember that it's made in Hollywood, so don't expect profound philosophical insights, but do expect a movie that you may actually like.
12 of 25 people found this review helpful.
Was this review helpful to you?
| Report this