Based upon true events Eduart, a young man raised in a cruel and oppressive family environment, leaves Albania with the dream of becoming a rock star and living a better life. His reckless ...
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Like Vanya, in Malle's last film, Milou never left the family estate. His mother dies during the May 1968 student uprising in Paris. The brother who is the London correspondent for Le Monde... See full summary »
This drama centers on Hank Chinaski, the fictional alter-ego of "Factotum" author Charles Bukowski, who wanders around Los Angeles, CA trying to live off jobs which don't interfere with his primary interest, which is writing. Along the way, he fends off the distractions offered by women, drinking and gambling.
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Stefan, a German photographer, comes to the Greek island of Donusa where he meets a beautiful girl, Eleni. Eleni seems to hiding a secret about her life. When Eleni commits suicide, ... See full summary »
Inspired by the real-life story of a bus hijacking in Northern Greece, HOSTAGE explores the sensitive issue of Greek-Albanian relations through a young Albanian who takes over an intercity ... See full summary »
Based upon true events Eduart, a young man raised in a cruel and oppressive family environment, leaves Albania with the dream of becoming a rock star and living a better life. His reckless character and the passions of his youth lead him to commit a murder in Athens. Chased by everyone, even by his own self, he is imprisoned under the harshest conditions. Eduart, with the help of a German doctor, learns to feel sympathy for others and guilt for his crime. His deep remorse will lead him from darkness to light. Like the Dostoevskian hero Raskolnikov, Eduart passes from crime to punishment, by daring to admit his guilt. In international criminal history, the "Eduart case" occurs once in a hundred years.Written by
CL PRODUCTIONS LTD
I was very pleasantly surprised by this film. The director successfully avoids all the cliché traps of a prison drama and manages to present a powerful account, reminiscent of Dostoevsky, of a man's journey to the most poignant realization that self-sacrifice is the requirement for the salvation of the soul.
The performances are esoteric and superb. Eshref Durmishi (Eduart) was brilliant in his portrayal of a disillusioned and reckless youngster who gradually discovers the meaning of suffering as a route to atonement. And the German doctor, movingly portrayed by André Hennicke, was simply astonishing in his desperate effort to find salvation at the darkest corners of the human condition.
Angeliki Antoniou's direction was powerful, austere and to the point, skilfully avoiding any superficial didacticism or melodrama. Great, solid film-making!
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