The Singing Revolution

It's been a few hundred years since the US had to figuratively sing for its independence, but less than 2 decades since Estonians finally shed the Soviet yoke and found freedom. That the country just south of Finland and between Germany and Russia achieved their freedom not by force but as it were by culture is more remarkable than its million people facing off a country of hundreds of million. Thus forms the outline of a dynamic documentary about Estonian revolution.

The thousands of Estonians who met every five years in Tartu, as many as 30,000, sang patriotic songs despite cruel occupations by Germany and Soviet Russia. The symbolic resistance was accompanied by some deft diplomacy during Mikhail Gorbachev's glasnost or freedom of speech and the break up of the USSR in the early 1990's.

James Trusty and Maureen Castle Trusty's documentary assembles archival footage of the struggle in the 20th century, uses the usual talking heads, some of whom were freedom fighters, and has the good sense to have an understated Linda Hunt narration. When these innocent throngs sing their nationalist songs, cinemaphiles can't but think of the French singing La Marseillaise at Rick's Cafe in Casablanca.

It all works to the extent that you will never forget the little country that could.

"The Singing Revolution" (Estonian title: "Laulev revolutsioon") was screened in its Canadian Premiere as the main Gala film of the 3rd Annual estdocs Estonian Documentary Film Festival in Toronto on Sunday Oct. 21, 2007 at the Ontario Science Centre Auditorium.

The evening opened with welcoming words from festival organizers Ellen Valter and Lia Hess and the introduction of film co-director Maureen Castle Tusty who explained that her husband and film co-director James Tusty was not able to make it to the Toronto screening as he was representing the film at its simultaneous Polish premiere at the Warsaw Film Festival. Maureen Castle Tusty then introduced former Estonian Prime Minister Mart Laar who was a special guest for the evening and who also played a prominent role in the events of the film during his early years in the Estonian Heritage Society.

Even though the audience in the hall was a large cross-section of local Estonian-Canadians for many of whom the main events of the film were a well-known part of our recent international history, I think everyone was genuinely impressed by the high standard of care and craftsmanship that the filmmakers put on display in their film which was screened in a crystal sharp high definition image.

The film delivers a lot of densely packed information on Estonia's recent history from the Communist/Nazi Molotov-Ribbentrop Pact of 1939 that effectively delivered Estonia into the repressive dictatorship of Joseph Stalin's Soviet Regime to the most recent Song Festival("Laulupidu") of 2004. More time is spent on the early years of the Russian occupation in the 1940's as it was then when the terror of the occupiers was at its fullest. The film then leaps ahead to the years of the mid to late 1980's when Mikhail Gorbachev's "perestroika" (economic restructuring) & "glasnost" (open-ness/free speech) opened the way for Estonian national movements such as the Estonian Independence Party, the Popular Front and the Estonian Heritage Society to test the limits that would be allowed before a further brutal oppressive crackdown began. Their steady probing and persistence made tiny Estonia a leading element on the way to the eventual breakdown and breakup of the Soviet empire. Along the way, the role of Estonian music in general and the ongoing National Song Festival in particular, are shown as a force that kept hope for independence alive from as early a date as 1947 when Estonian composer/conductor Gustav Ernesaks was able to sneak his song "My Fatherland is My Love" into the new Soviet Republic's first post-occupation Song Festival.

Although the subject matter is overall one of a very serious nature there are still several moments of humour in the film such as one Russian babushka's complaints about how "I'm ashamed of Estonians, they are so sly. Face to face they're so nice to you, but they stab you in the back when you turn." Fans of the writers Andrus Kivirähk and Oskar Luts were also rewarded with anecdotes such as narrator Linda Hunt extolling the clever "Old Farmer of the Barn" (Estonian "Rehepapp" - also the title & subject of a recent novel by Kivirähk) as the Estonian national hero in place of conventional mythological warriors and conductor Tiia-Ester Loitme lamenting the loss of her balloon in the Song Festival Parade with the words "Minu nunnu lendas minema!" ("My precious has flown away!") (this last one evokes Luts' immortal comic play "Kapsapea" ("The Cabbage Head"). It was a pleasure as well to hear Popular Front leader (& otherwise artist/cartoonist) Heinz Valk tell the stories of how he coined the phrases "Laulev revolutsioon" (Singing Revolution) and "Ükskord me võidame niikuinii!" (One day, we will win regardless!) with which he forever afterwards had to end his speeches, to audience shouts of "Say it Heinz! Say it!!". So there were many subtle chuckles to be enjoyed from the movie also.

The 475-seat hall was totally sold out for the occasion and the film was warmly received with a unanimous standing ovation at its conclusion. I'll admit to a huge personal bias here because of my Estonian heritage, but I find it hard to believe that anyone who supports movements of self-government and national independence and basic human rights in this day and age would not be moved by this wonderful film. Thanks to Maureen and James Tusty for their vision and their efforts to bring this story to the screen and to the world.

Oct. 28, 2007 Update: The 3rd Annual estdocs Festival ended on Oct. 26, 2007 and it was announced that "The Singing Revolution" won both the Audience Favourite and the Jury Prize for the week-long festival.

I'm pretty generous with films which I like -- if I'm really enjoying something, I'll usually give it a 10. Some people save 10 for that rare film that comes along every couple of years, and I wish I did that, so I could bestow a rare 10 on this film. But, 10 is as high as it goes.

I saw it at Cinema Sundays at the Charles, here in Baltimore. As the director, who presented the film, said about persuading people to see the movie, "Let's see, it's a film about a singing revolution in Estonia, what shall we do instead?" But, he said, once people see it they love it. Certainly we did -- there was applause for two-thirds of the credits, and then a long, partially standing, ovation for the director after the credits were over.

The film opens with history -- the Soviet occupation of Estonia under Stalin, then the Nazi occupation, then after that the Soviets again.

Then it goes to the present day -- a man is conducting what seems to be a chorus of thousands of people, of all ages, in a song -- the subtitles tell you it's a patriotic song. The shots of the faces of the singers and the audience are warm and moving -- most of the people are smiling --some in the audience are holding back tears. The physical beauty of the people and the setting, combined with the welling voices and harmonies, are powerful, entrancing.

The movie then describes, through incredible archival footage combined with interviews with people who participated on various sides, Estonia's use of song and non-violence to precipitate the downfall of the Soviet Union.

This is a story and a half -- and it's much more powerful because you know, incredibly, it really happened. This is a story of people who, after thousands of years on the land, were occupied by Germany in the 1200s and were essential serfs for 600 years. In 1869 their awakening nationalism led to the first singing festival (Laulupidu).

In 1918 the country declared independence, but after about 20 years the land was again occupied, this time by Bolsheviks. The land was then briefly occupied by Nazi Germany, and then became part of the Union of Soviet Socialist Republics.

In 1947, the Singing Festival was reborn. To mark the occasion, a composer wrote a tune for a patriotic poem, which translates as "Land of my fathers, land that I love" in English, and it became a musical symbol of the desire for independence of the Estonian people. But in 1969, the 100th anniversary of the singing festival, the Soviets forbade the singing of "Land of my fathers." Nevertheless, the choir, having sung their Soviet songs, refused to leave the stage, and 20,000 audience members began singing "Land of my fathers" in defiance of the authorities. Eventually the Soviets allowed the song's composer onto the stage to conduct the song, as though it was their idea all along.

That act of defiance -- that singing of a song -- marked the start of a non-violent revolution which brought independence to Estonia and led directly to the breakup of the Soviet Union. The movie details the various times when things could have gone wrong -- the times when the Estonians might have gone too far and precipitated a bloodbath. But, through a combination of bravery and a stubborn refusal either to back down or provoke, Estonian nationalists created a unique revolution -- the Singing Revolution.

This is a gorgeous story -- a story of persistence, bravery, sacrifice. This is a movie which will appeal to the Left and the Right. It's a movie which makes a case for nationalism. It's a movie which will inspire you.

James and Maureen Tusty, directors, along with James and Mike Majoros, writers are to be congratulated on a fine piece of work. "The Singing Revolution" documents how a small country without guns or troops, and with only a strong singing tradition and the will to be free, prospered.

It may have taken over fifty years to regain their independence, but the strong will of the Estonians triumphed over brutal aggression and media propaganda.

To see the sight of some hundred thousand people raising their voices in choral singing about their homeland and their quest for independence is one to behold. The Tustys have included some remarkable archival footage to fill in the foundation for their presentation. Skillfully narrated and edited, this documentary moves along nicely, showing the progress of a people who refused to be dominated by a foreign power.

At the end of the showing (on 4/18/08 at Cleveland's Cinematheque) the filmmaker assured the audience that this will be available on DVD following its festival runs. That's something worth looking forward to!

I rented this documentary from Netflix not expecting a whole lot, but I was so wrong and it was so well done and deserved more recognition and praise. This movie is a very moving documentary that shows how little Estonia defied the Soviet Union by singing. The Singing Revolution tells the true story how Estonia through song got their independence from the Soviet Union.

Now the questions must be asked how is this possible, how can singing change the world, well Estonia can show you how. Using music and interviews this documentary is a good view from anyone who loves a good and inspiring story.