The New Daughter (2009)
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- PG-13
- 1h 48min
- Crime, Horror
- 07 Oct 2010 (Netherlands)
- Movie
A single father moves his two children to rural South Carolina, only to watch his daughter exhibit increasingly strange behavior.
Director:
Writers:
Award:
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Kevin Costner | ... |
John James
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| Ivana Baquero | ... |
Louisa James
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| Samantha Mathis | ... |
Cassandra Parker
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| Gattlin Griffith | ... |
Sam James
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| Erik Palladino | ... |
Officer Ed Lowry
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| Noah Taylor | ... |
Professor Evan White
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| James Gammon | ... |
Roger Wayne
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| Sandra Ellis Lafferty | ... |
Mrs. Amworth
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| Margaret Anne Florence | ... |
Alexis Danella
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| Christopher Harvey | ... |
Rick Ross
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Brynn Massey | ... |
Sally
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| Martin Thompson | ... |
Stewart Green
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Nevaina Graves Rhodes | ... |
Pam
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Rob Bonz | ... |
Adrian
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James Middleton | ... |
Scott
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Ralph LaCorte | ... |
Publisher
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| Guy Perry | ... |
Alpha Creature
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Edmund Entin | ... |
Creature #2
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Gary Entin | ... |
Creature #1
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| Rest of cast listed alphabetically: | |||
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Mark Davis | ... |
Student (uncredited)
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Alexis Gallagher | ... |
Student (uncredited)
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Directed by
| Luiso Berdejo | ... | (as Luis Berdejo) |
Written by
| John Travis | ... | (screenplay) |
| John Connolly | ... | (short story) |
Produced by
| Paul Brooks | ... | producer |
| Guy Danella | ... | co-producer (as Guy A. Danella) |
| Brad Kessell | ... | co-producer |
| Don Kurt | ... | co-producer |
| Scott Niemeyer | ... | executive producer |
| Jonathan Shore | ... | associate producer |
| Norm Waitt | ... | executive producer |
Music by
| Javier Navarrete | ||
Cinematography by
| Checco Varese | ... | director of photography |
Editing by
| Tom Elkins | ||
| Robb Sullivan | ||
Editorial Department
| Rob Bonz | ... | first assistant editor |
| Gilbert Carreras | ... | color timer |
| Valance Eisleben | ... | digital intermediate editor |
| Maxine Gervais | ... | digital intermediate colorist |
| David Kennedy | ... | digital intermediate assistant |
| Kate Kroll | ... | post-production coordinator |
| Ralph LaCorte | ... | editorial production assistant |
| Drew MacDonald | ... | editorial production assistant |
| Carrie Oliver | ... | digital intermediate conformist |
Casting By
| Eyde Belasco | ||
Production Design by
| Chris Shriver | ||
Set Decoration by
| Chuck Potter | ||
Costume Design by
| Dana Campbell | ||
Makeup Department
| Jessica Anderson Crocker | ... | special makeup effects artist (as Jessica Anderson-Abbott) |
| Mark Ballou | ... | special makeup effects coordinator: MastersFX |
| Darlene Brumfield | ... | department head hair stylist / hair stylist: Mr. Costner |
| Susan Buffington | ... | hair stylist |
| Gigi Collins | ... | assistant makeup artist (as Angela Collins) |
| Joe Colwell | ... | special makeup effects artist |
| Michelle Garbin | ... | special makeup effects artist |
| Dennis Liddiard | ... | key makeup artist |
| Todd Masters | ... | special makeup effects producer |
| Patricia McAlhany Glasser | ... | key hair stylist (as Pat Glasser) |
| Werner Pretorius | ... | special makeup effects technician |
| Francisco X. Pérez | ... | makeup department head |
| Chad Washam | ... | special makeup effects technician |
Production Management
| Jeff L. Anderson | ... | production supervisor |
| Koah Kruse | ... | post-production supervisor |
Second Unit Director or Assistant Director
| John D. Bert | ... | second second assistant director |
| Scott Carter | ... | second assistant director (as Scott Carter) |
| Jesse Nye | ... | second assistant director |
| Chip Signore | ... | first assistant director |
Art Department
| Jack Ballance | ... | set designer |
| Chris Bogart | ... | scenic foreman |
| Brooke Brunson | ... | set decoration buyer |
| Kenneth Bryant | ... | lead man |
| Chris Buchinsky | ... | storyboard artist |
| Robert Church | ... | greensman (as Robert Lee Church) |
| Katie Clinebelle | ... | props |
| Jennifer D. Corley | ... | art department coordinator |
| D. Tobias Denney | ... | props |
| Stephen Eno | ... | painter |
| John P. Faivre | ... | construction buyer |
| Jordan Foster | ... | set dresser |
| Susanna Glattly | ... | camera scenic |
| Lillian Heyward | ... | signwriter |
| Sarah Hoopes | ... | art department production assistant |
| Richard Krish | ... | co-leadman |
| Christopher Kuder | ... | propmaker gang boss |
| Scott A. Lawson | ... | set dresser |
| Bill MacSems | ... | property master |
| Angela Nahum | ... | art department assistant |
| Katherine Parker | ... | painter |
| James Passanante | ... | construction coordinator |
| Ryon Peck | ... | props / storyboard artist |
| Gregg Perez | ... | set dresser |
| John Pundt | ... | graphic artist |
| Gregory Schmitz | ... | key scenic |
| Erik Sedwick | ... | storyboard artist |
| Nicole Strojny | ... | set painter |
| Darlene Vega | ... | scenic artist |
| Richard Waldrop | ... | assistant property master |
| Dana White | ... | on-set dresser |
| Katie Clinebelle | ... | property assistant (uncredited) |
| Kelly Rubottom | ... | set dresser (uncredited) |
| Erik Sedwick | ... | Concept Artist (uncredited) |
Sound Department
| Brian Campbell | ... | dialogue editor |
| Timothy Cargioli | ... | boom operator |
| Jay Cheetham | ... | background sound editor |
| Paul Curtis | ... | supervising sound editor |
| Dario DiSanto | ... | foley editor |
| Kris Fenske | ... | sound designer |
| Jason Gaya | ... | adr mixer |
| Jonathan Gaynor | ... | production sound mixer |
| Judah Getz | ... | adr mixer |
| David Green | ... | assistant dialogue editor |
| Graeme Hughes | ... | re-recording mixer |
| Richard Kitting | ... | adr mixer |
| Devan Kraushar | ... | additional sound designer |
| Christine McLeod | ... | sound supervisor |
| Marc Meyer | ... | sound designer |
| Andrew Morgado | ... | adr mixer |
| Maureen Murphy | ... | foley artist |
| Glen Noseworthy | ... | foley recordist |
| Ryan Nowak | ... | sound effects editor |
| Iain Pattison | ... | re-recording mixer |
| James Peterson | ... | cable |
| Christopher M. Ray | ... | m&e re-recording mixer (as Chris Ray) |
| Paul A. Sharpe | ... | re-recording mixer |
| Rob Speight | ... | adr recordist |
| James Wallace | ... | sound designer |
| Ross Wissbaum | ... | adr recordist |
| John St. Denis | ... | adr recordist (uncredited) |
Special Effects by
| David Beavis | ... | special effects coordinator |
| Luiso Berdejo | ... | creature designer (as Luis Berdejo) |
| Jack Firman | ... | creature crew: MastersFX, Inc. |
| Jonathan Gording | ... | contact lens consultant |
| David Hill | ... | special effects foreman |
| Matt Mizell | ... | special effects technician |
| Robert 'Lucky' Rieker | ... | special effects technician |
| Mauricio Ruiz | ... | concept artist: MastersFX (as Maury Ruiz) / prosthetic painter: MastersFX (as Maury Ruiz) |
| Hill Vinot | ... | sculptor/fabricator: Todd Masters FX |
| Susan Beavis | ... | special effects buyer (uncredited) |
Visual Effects by
| Austin Basile | ... | digital compositor |
| Nadine Blackler | ... | digital compositor |
| Greg Cheng | ... | digital artist |
| David Cole | ... | digital colourist |
| Pete Dionne | ... | 3d artist: Technicolor |
| Christopher Elke | ... | visual effects producer: Technicolor Vancouver |
| Steve Elliott | ... | visual effects i/o: Technicolor Vancouver |
| John Fukushima | ... | senior compositor |
| Sean Gilhooly | ... | visual effects coordinator |
| Colin Liggett | ... | senior composite artist |
| Jason Maher | ... | visual effects artist: Technicolor Vancouver |
| Damian McDonnell | ... | additional digital intermediate colorist |
| Robert McKinnon | ... | creature concept designer |
| Stephen Misek | ... | character technical director |
| Milton Muller | ... | digital compositor: Artifex Studios |
| Doug Oddy | ... | visual effects supervisor |
| Richard Patterson | ... | cg supervisor |
| Vasho Pekar | ... | digital compositor |
| Jeremy Price | ... | visual effects artist |
| Michael S. Pryor | ... | visual effects producer: Laser Pacific |
| Kenton Rannie | ... | digital compositor |
| Persis Reynolds | ... | visual effects executive producer: Technicolor Vancouver |
| Cabral Rock | ... | on-set VFX coordinator |
| Vicki Silva | ... | digital compositor |
| Adam Stern | ... | visual effects supervisor: Artifex Studios |
| Jeremy Stewart | ... | animator |
| Patrick Thompson | ... | digital compositor |
| Joel Tong | ... | digital compositor |
| Brent Veal | ... | digital compositor |
| Dmitry Vinnik | ... | visual effects artist |
| Jason Wilson | ... | visual effects artist |
| Matt Yeoman | ... | digital compositor |
| Sebastien Betsch | ... | digital painter (uncredited) |
Stunts
| Robert Brubaker | ... | stunts (as Bob Bruebaker) |
| Danny Downey | ... | stunts |
| Dale Frye | ... | stunts |
| Danielle Hershon | ... | stunt double |
| Cal Johnson | ... | stunt coordinator |
| Emily Jordan | ... | stunt double |
| Anderson Martin | ... | stunts |
| David Brian Martin | ... | stunt performer |
| Josh Petro | ... | stunt performer |
| Lonnie R. Smith Jr. | ... | stunts |
| Brian Smyj | ... | stunt rigger |
Camera and Electrical Department
| Alan Aldridge | ... | additional first assistant camera: "b" camera |
| Benjamin Baggott | ... | rigging electrician |
| Troy Boggess | ... | rigging electrician |
| Antonio Calvache | ... | additional director of photography |
| Joe Collins | ... | camera operator: "a" camera |
| Pam Connor | ... | co-key grip |
| Catherine Cravens | ... | company set electric |
| Ben Davidson | ... | electrician |
| Jackson Lee Davis | ... | camera preview technician (as Jackson L. Davis) |
| John W. DeBlau | ... | gaffer |
| Lee Donaldson | ... | dolly grip: "b" camera |
| Colin Duran | ... | second assistant camera: "b" camera |
| Rusty Edmonson | ... | rigging gaffer |
| Jerome Fauci | ... | camera operator: "b" camera / cinematographer: second unit / steadicam operator |
| Tom Fendley | ... | best boy electric |
| Ben Glass | ... | still photographer |
| Daniel R. Haizlip | ... | best boy grip |
| Zsolt P. Haraszti | ... | camera loader (as Zsolt Haraszti) |
| Geoff Herbert | ... | dolly grip: "a" camera |
| W.C. 'Chunky' Huse | ... | key grip (as W.C. Huse) |
| Tony Jenzano | ... | video assist operator |
| Brian Knox | ... | grip |
| Mike Mickens | ... | additional photography |
| Jeff Moore | ... | additional camera operator: "b" camera |
| Ignacio Musich | ... | first assistant camera: "a" camera |
| Alan Newcomb | ... | second assistant camera: "a" camera |
| Harrison Palmer | ... | electrician |
| Scott Read | ... | best boy electric |
| Kenny Rivenbark | ... | super technocrane operator |
| Schenley V. Sargusingh | ... | electrician |
| Mike Satterfield | ... | rigging electrician |
| Art Schultz | ... | rigging electrician |
| James Selph | ... | set grip |
| David Shakibanasab | ... | electrician |
| John E. Stephens | ... | dolly grip: "a" camera (as John Stephens) |
| Steve A. Stephenson | ... | rigging grip |
| Jeff Sterner | ... | electrician |
| John R. Sutton | ... | rigging key grip |
| Dan Turek | ... | first assistant camera: "b" camera (as Daniel Turek) |
Casting Department
| Ashli Bogart | ... | casting assistant |
| Richard Futch | ... | location casting |
Costume and Wardrobe Department
| Catherine A. Abreo | ... | set costumer |
| Teresa Beach | ... | wardrobe assistant |
| Shawna-Nova Foley | ... | set costumer |
| Maritza Garcia-Roddy | ... | costume supervisor (as Maritza Garcia) |
| Terri Helms | ... | seamstress |
| Emmie Holmes | ... | costume buyer |
| Karen Keyes | ... | key set costumer: Kevin Costner |
| Keva Keyes | ... | additional on-set costumer |
| Julia Rusthoven | ... | costumer |
| Paul A. Simmons Jr. | ... | key costumer (as Paul Simmons) |
Location Management
| Chris Drake | ... | location assistant |
| Cindi Hobgood | ... | location manager |
Music Department
| Hal Beckett | ... | supervising music editor |
| Meagan Carsience | ... | music editor |
| Eimear Noone | ... | conductor |
| Julie Pearce | ... | music editor |
| Tyler Westen | ... | scoring mixer |
Script and Continuity Department
| Liliana M. Molina | ... | script supervisor |
Transportation Department
| Samuel Wayne Beitz | ... | driver: honeywagon |
| Kenneth Bennett | ... | driver: cast |
| Robert Gillis | ... | driver: honeywagon |
| Jack Munn | ... | driver |
| Joey Ricker | ... | driver |
| Doug Wright | ... | transportation captain |
Additional Crew
| Lesa Andelson | ... | production attorney |
| Jeff L. Anderson | ... | production supervisor |
| Tammy Arnold | ... | dialect coach |
| Matthew Benson | ... | production executive |
| Warren Brace | ... | production secretary |
| David Michael Brown | ... | craft service / key craft service |
| Rick Canino | ... | stand-in |
| Gina Crane | ... | product placement coordinator (as Gina M. Crane) |
| Elizabeth A. Dennis | ... | assistant production office coordinator: pre-production |
| Shane Detwiler | ... | production assistant |
| Chris Doss | ... | executive in charge of finance |
| Laura Forrest | ... | travel service |
| Jennifer Fowler | ... | production secretary |
| Vanessa Garsys | ... | set interpreter |
| Suraj Gohill | ... | production lender |
| Blake H. Hughes | ... | production assistant |
| Robin Jonas | ... | creative executive |
| Joanna L. Rees Jones | ... | executive in charge of post production |
| Heather Joyce | ... | publicist |
| Buddy Knotts | ... | helicopter camera pilot |
| Chase Lynch | ... | photo/filming double |
| Adam R. Mehr | ... | attorney |
| Lisa Morelli | ... | stand-in |
| Tanoa Parks | ... | production accountant |
| Alice M. Peschl | ... | assistant production coordinator |
| Tarah Phillippi | ... | assistant accountant |
| Judson Ragsdale | ... | production assistant |
| Kathleen Richter | ... | payroll accountant |
| Martin R. Scarbrough | ... | medic |
| Erik Sedwick | ... | Assistant to Director / Director's Assistant (uncredited) / production assistant |
| Dylan Tarason | ... | production executive |
| Tiffany Thomas | ... | first assistant accountant |
| Townson Wells | ... | production assistant |
| Hunter Wentworth | ... | production assistant |
| Trina Naz | ... | stand-in (uncredited) |
| Dawn York | ... | uncredited |
Thanks
| Rodrigo Cortés | ... | thanks |
| Guillermo del Toro | ... | special thanks |
| Jorge Dorado | ... | special thanks |
| Tom Drumm | ... | special thanks |
| Adrián Guerra | ... | special thanks |
| Peter Safran | ... | special thanks |
| Koldo Zuazua | ... | special thanks |
Production Companies
Distributors
- Anchor Bay Films (2009) (United States) (theatrical)
- Entertainment One (2010) (Netherlands) (theatrical)
- Presidio (2011) (Japan) (theatrical)
- Vértice 360 (2010) (Spain) (theatrical)
- Anchor Bay Entertainment (2010) (United States) (DVD)
- Anchor Bay Entertainment (2010) (United States) (Blu-ray) (DVD)
- Audio Visual Entertainment (2010) (Greece) (DVD)
- California Filmes (2009) (Brazil)
- CatchPlay (2009) (Taiwan)
- EcoFilmes (2010) (Portugal)
- Ecofilmes (2010) (Portugal)
- Entertainment One (2011) (Netherlands) (DVD)
- Entertainment One (2011) (Netherlands) (Blu-ray) (DVD)
- Film1 (2011) (Netherlands) (tv) (limited)
- Future Film (2010) (Finland) (Blu-ray) (DVD) (both cropped to 1.78:1)
- Hollydan Works (2010) (Serbia) (DVD)
- IPA Asia Pacific (2010) (Thailand)
- Maple Pictures (2010) (Canada) (DVD)
- Midget Entertainment (2009) (Denmark)
- Quality Films (2011) (Mexico) (DVD)
- RTL (2013) (Germany) (tv)
- Rai 4 (2016) (Italy) (tv)
- Transeuropa Video Entertainment (TVE) (2011) (Argentina) (DVD)
- Universum Film (UFA) (2011) (Germany) (DVD)
- Universum Film (UFA) (2011) (Germany) (Blu-ray) (DVD)
Special Effects
- MastersFX (prosthetic FX & character FX)
Other Companies
- Cartoon Network (used with the permission of and are trademarks of: "Dexter's Laboratory" and all related characters and elements) (A Time Warner Company)
- Clairmont Camera Film & Digital (camera equipment provided by)
- Film Finances (completion guarantor)
- Gallagher Entertainment (insurance)
- Haddad's (transportation equipment)
- LCW Props (set equipment)
- Line 21 Media Services (combined dialogue, continuity & spotting list)
- PJF Productions (main and end titles)
- PJF Productions (titles)
- Pivotal Post (avid editing equipment)
- Rockbottom Rentals (cell phone rentals)
- Rockbottom Rentals (junxion box rentals)
- Sonic Magic (adr recording)
- out post sound Ltd. (ADR recording)
Storyline
| Plot Summary |
John James is a writer; his wife has left him. He moves with his middle-school aged daughter and young son to an isolated house off a dirt road in South Carolina. The property has an Indian burial mound, which fascinates his daughter, Louisa, who's entering puberty. Strange things: noises on the roof and in the woods, the cat missing, Luisa sleepwalking clutching a straw doll no one's seen before. She visits the mound often, staying late, coming home covered with mud. John's younger son, Sam, is frightened. John learns the house has a history and seeks out the previous owner. Louisa's behavior becomes more bizarre. Is there an explanation? An ant farm and a missing babysitter provide clues.
Written by |
| Plot Keywords | |
| Taglines | How Far Will A Father Go To Protect The Ones He Loves? See more » |
| Genres | |
| Parents Guide | View content advisory » |
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Box Office
| Budget | $15,000,000 (estimated) |
Did You Know?
| Trivia | Based on a short story from the horror anthology "Nocturnes" by John Connolly. See more » |
| Goofs | James and his contractor prepare a batch of ANFO (ammonium nitrate + fuel oil) to blow up the mound. This is a 'tertiary' explosive, which means you cannot set it off with fire. It would just burn. To set off the detonation, you need to explode a secondary explosive, like a stick of dynamite, which in turn needs to be set off with a primary explosive, like a blasting cap. See more » |
| Movie Connections | Features Blackfoot and Slim/Trapped with a Vengeance/The Parrot Trap (1998). See more » |
| Quotes |
[first lines]
John James: [driving up to their new house] There it is. Sam James: Real big. John James: Mm. Want to go in first? Sam James: Really? John James: I don't see why not. [turning to his daughter in the car] John James: Are you coming? So? Louisa James: [sulking] So what? John James: So what do you... what do you think? Louisa James: You already know what I think. See more » |