Back to You

I have seen several episodes of Back to You and I feel that its the best sitcom about broadcast news since Newsradio. The shows are well-written and the cast is a mixture of veterans and young actors. Kelsey Grammar doesn't seem to be typecast as Frasier Crane, playing co-anchor Chuck Darling, though he has a little of Dr. Crane's pomposity in his new role. Patricia Heaton is outstanding as Kelly Carr. Fred Williard adds a veteran presence to the show, Ayda Field brings beauty as meteorologist Montana, Josh Gad as the young news director and Ty Burrell as Gary round out the news crew. Let's not forget Laura Marano, fresh off Are You Smarter Than a Fifth Grader as Kelly's daughter, Gracie who plays the role very well.

My only complaint about the show is the constant fighting between Chuck and Kelly. I feel that it should be more of an ensemble comedy and less of a verbal battle between the two sitcoms veterans.

In an era of boring one-camera comedies, Back to You has revitalized the traditional sitcom genre.

Kelsey Grammar and Patricia Heaton, two sitcom legends teamed up in this sadly short-lived sitcom set in a newsroom.

I enjoyed this show, I thought it had real potential. Not to mention an all-star writing team, many of whom had written for Grammar previously on 'Frasier'. And look at the supporting cast they assembled - Fred Willard, Ty Burrell, Josh Gad - this show deserved to stay on the air far longer than it did.

I think it was the writers strike of 07/08 that really affected this show, and also the breaks between episodes. I wasn't keen on the recasting of Gracie midway through or the loss of Ayda Field either.

This was a well written sitcom, one that wasn't afraid to be smart and warm at the same time. It was a shame it didn't last longer.

Network: Fox; Genre: Sitcom; Content Rating: TV-PG (for some language and sexual innuendo); Perspective: Contemporary (star range: 1 - 4);

Seasons Reviewed: 1 season

In the mist of a career nose dive, Chuck Darling (Kelsey Grammar) returns to the local news station where he got his start and former co-anchor Kelly Carr (Patricia Heaton) still holds up shop. He meets all the newscast regulars: the sportscaster (Fred Willard), the weathergirl (Ayda Field), the hung out to dry field reporter (Ty Burrell) and the geeky young news director (Josh Gadd).

It isn't long before we learn that Chuck and Kelly once, as sitcoms always so elegantly put it, "did it" and Chuck learns that this night actually led to the birth of Kelly's 10-year old-daughter Gracie. Cue the sex jokes. And keep them coming until the series finale.

"Back to You" would be disposable as another lame network sitcom. It's the sheer wattage of talent attached to it that makes the show such a disappointment. Emmy-winners Kelsey Grammar and Patricia Heaton are put together on the same set with halfway decent chemistry between them despite the glaring age difference. Mr & Mrs. Comic Timing. Behind the camera we've got serial-writer Steven Levitan ("Just Shoot Me") and Christopher Lloyd ("Frasier"). So, frankly, I just don't know what happened here. How did such a classy group of actors get buried under a pile of sitcom sex jokes? It's like the "Frasier" side of the series duked it out with the "Just Shoot Me"/"Stacked"/"Oliver Beene" side of the series and Levitan won.

The aforementioned set-up, Chuck, Kelly and their kid, becomes all "Back to You" can think about. Every single episode of the single season run orbits closely revolves around this idea. It grows tiresome quickly, never evolving, never giving the leads something else that might flesh them out. Character jokes, local news media jokes, rival anchor jokes, forget all that - Chuck and Kelly have a kid together. Chuck quickly goes from arrogant ladies man (funny) to a man serious about being a father (unfunny). He instantly falls in love with Gracie and wants the world to know it regardless of the detriment to himself, his job, Kelly or Gracie.

"Back" has a "'Till Death" formula to it. Like Fox is taking all these stars from modern classic sitcoms and using their name to pump life into an otherwise worthless show, while they slum through collecting a paycheck still able to deliver the goods giving 10% of their skill set. Grammar and Heaton are able to strain some laughs out of the material. There are a few good one liners. I can't lie. That is more than I can say for most sitcoms. Ty Burrell makes a good impression as a likable comic klutz, but "Back to You" marks a comedy first for me. This is the first time I've ever not found Fred Willard funny.

* * / 4

"BACK TO YOU," in my opinion, is an absolute FOX classic! I haven't seen every episode, but I still enjoyed it. It's hard to say which episode was my favorite. However, I think it was always funny when a mishap occurred. I always laughed at that. Also, of all the episodes I've seen, my favorite would probably be the two-part one where Gracie (Lily Jackson) finds out a little secret. When I think about it, I remember the opening sequence and theme song vaguely. Despite the fact that it was a short-lived series, it was nice that all the main characters stayed with the show throughout its entire run. It seems that no one stays with a show throughout its entire run. Everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, I hope some network brings it back on the air for fans of the show to see.

I was looking forward to seeing this show, but I wasn't sure when it was coming on. Luckily, I happened to scroll by it just as it was starting up. It has a great cast, a good premise, but the writing fails to impress. Many of the jokes are obvious one-liners that aren't even funny. Kelsey Grammar can't even save any of the lines. There is no originality, no cleverness; I could have written this show. The only good parts are when it is dramatic; the "humor" makes my head hurt. I need a good, original sitcom besides the shows that I watch on NBC, and this doesn't do the trick. It should be canceled soon. However, I'm giving it a 5 because the cast could possibly be able to save it.