Following the American invasion of Iraq in 2003 Chief Warrant Officer Roy Miller and his men are charged with finding the so-called weapons of mass destruction, whose existence justified American involvement, according to the Pentagon and their man in Baghdad, Poundstone. Veteran CIA operative Marty tells Miller that there are no weapons, it is a deception to allow the Americans to take over the country and install a puppet leader. Also suspicious of Poundstone is Wall Street Journal reporter Lawrie Dayne, who lets slip to Miller that Poundstone told her he had secret talks in Jordan with an important Iraqi, code-named Magellan, who told him about the weapons, though it now seems likely Magellan's true information was to the contrary. So begins a hunt for the truth. Who's playing whom?Written by
don @ minifie-1
The budget swelled because Matt Damon, Paul Greengrass, and the studio were unhappy with the original tame ending. The last third of the movie had to be reshot, which was complicated by the fact that Damon had already left to shoot The Informant! (2009) and the shoots had to be restaged months later to accommodate his schedule. See more »
When Miller goes to the prison to offer the bribe, the guard calls him, "Sir." He is a Naval Chief (E-7 to 9). No self-respecting soldier or Marine would call a non-com "Sir".
In fact Miller is an Army Chief Warrant Officer (CW2-5), not a Navy Chief. Army Chief Warrant Officers are referred to as Ma'am or Sir. See more »
One of the common threads linking films about the Iraq war is a sense of deep ambiguity about it's morality and purpose. "Green Zone" is no exception. Matt Damon skilfully portrays Roy Miller, an Army Warrant Officer whose unit is tasked with searching suspected WMD facilities for proof of the existence of Iraqi chemical, nuclear, and biological weapons. A chance encounter with a sympathetic Iraqi civilian puts Miller on the trail of an Iraqi general who could provide him with the evidence that he needs. However, the Pentagon, the recently deposed Baathists, and the CIA all have different agendas for Iraq's future and Miller finds himself being used by players from all sides.
This is a tautly paced, engrossing thriller that inhabits a moral world where all colors are shades of gray. The cast are excellent and the direction is top-notch. Particularly noteworthy is the realistic and sympathetic depiction of the Iraqi characters, irrespective of their allegiances. There is no shortage of action and the plot keeps you guessing until the credits roll. Along with "The Hurt Locker" this is one of the best films about the Iraq war and a brilliant night out to boot.
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