Based on a true story, a troubled and racist African-American L.A.P.D. Officer will stop at nothing to force out a friendly interracial couple who just moved in next door to him.
The story of what happens one day in New York City, when a young lawyer and a businessman share a small automobile accident on F.D.R. Drive, and their mutual road rage escalates into a feud.
Director:
Roger Michell
Stars:
Ben Affleck,
Samuel L. Jackson,
Kim Staunton
A District Attorney has his life turned upside down when he's involved in a hit and run and another man is arrested for his crime and charged with murder.
Director:
Peter Howitt
Stars:
Dominic Cooper,
Samuel L. Jackson,
Gloria Reuben
A psychological thriller centered around a black-ops interrogator and an F.B.I. Agent who press a suspect terrorist into divulging the location of three nuclear weapons set to detonate in the U.S.
Director:
Gregor Jordan
Stars:
Samuel L. Jackson,
Carrie-Anne Moss,
Michael Sheen
An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody, and only the L.A.P.D.'s Special Weapons and Tactics team can prevent it.
Director:
Clark Johnson
Stars:
Samuel L. Jackson,
Colin Farrell,
Michelle Rodriguez
In a desperate attempt to prove his innocence, a skilled police negotiator accused of corruption and murder takes hostages in a government office to gain the time he needs to find the truth.
Director:
F. Gary Gray
Stars:
Samuel L. Jackson,
Kevin Spacey,
David Morse
15 months after being stabbed 9 times by a student at work as a high school teacher in NYC, Mr. Garfield is working in LA as a substitute teacher come full-time. He refuses to be a victim anymore.
John is taken on a murder-fueled ride by a mysterious stranger that transforms the weak-willed, disillusioned husband and father into a desperate hero willing to go to any length to protect his family.
Director:
Chris Fisher
Stars:
Luke Wilson,
Samuel L. Jackson,
Leslie Bibb
Though it's been about twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
A successful asset manager, who has just received a huge promotion, is blissfully happy in his career and in his marriage. But when a temp worker starts stalking him, all the things he's worked so hard for are placed in jeopardy.
An F.B.I. Agent takes on a plane full of deadly venomous snakes, deliberately released to kill a witness being flown from Honolulu to Los Angeles to testify against a mob boss.
Director:
David R. Ellis
Stars:
Samuel L. Jackson,
Julianna Margulies,
Nathan Phillips
In California, the Caucasian Chris Mattson and his African-American wife Lisa Mattson move to a house in a gated community. The racist and dysfunctional next-door neighbor is the abusive LAPD Officer Abel Turner who feels uncomfortable with the relationship of the newcomers and transforms their lives into Hell on Earth.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A Google Earth Street View camera car photographed the cul-de-sac during production. Users could view North Deer Creek Drive in Walnut, California, using Street View, to see film crew and set hardware in place. The street view image has now been updated to a newer version at a later date. See more »
Goofs
In the film, the L.A. County Sheriff's Department responds to calls in Lakeview Terrace. In real life, Lakeview Terrace is part of the city of Los Angeles, so the LAPD would respond. See more »
Killer
Written by Peter Carr, Kevin Chase, Shahzad Mahmood, Christian Peck
Performed by Boy Kill Boy
Courtesy of Mercury Records Limited
Under license from Universal Music Enterprises See more »
There's an inherent problem with making a movie of this kind: unless you're a creative genius of your time, these sorts of movies have the potential to turn real generic, REAL fast.
Reminiscent of Denzel Washington from Training Day, we see Samuel L. Jackson play an overly aggressive cop with an agenda, with the movie focusing on the problems he's causing for his new neighbors. A completely realistic situation that can take place anywhere. Problem is, because a movie like this is completely character driven, after you have the nice slow build up to the climax, once the tension snaps, you're relegated to basically a generically default final act of the movie where "the bad guy finally comes out of the proverbial shadows and literally chases the hero." (i.e. Disturbia, The Glass House). It's a shame too because the buildup on this was very good. Samuel L. Jackson was really scary here, he played that bullying, obsessive character perfect. The only acting problems I saw were 2-3 moments from Kerry Washington where her sad face was done poorly, with overly done lip quivers and facial movements (similar to Kirsten Dunst's crying scenes from the Spider-Man movies, except done in a BAD way).
With a movie like this, you pretty much have these possible outcomes:
1) the generic, semi-predictable ending (like we got here). 2) tragic ending with hero dying at the end. 3) an unpredictable twist coming out of left field (this has the potential to be very good or very bad). 4) a Great ending.
Unfortunately we usually get number one, since they wanna give the satisfying, safe, effective, tried and true, Hollywood ending. Most people are content with those types of cop out endings. I'm not.
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There's an inherent problem with making a movie of this kind: unless you're a creative genius of your time, these sorts of movies have the potential to turn real generic, REAL fast.
Reminiscent of Denzel Washington from Training Day, we see Samuel L. Jackson play an overly aggressive cop with an agenda, with the movie focusing on the problems he's causing for his new neighbors. A completely realistic situation that can take place anywhere. Problem is, because a movie like this is completely character driven, after you have the nice slow build up to the climax, once the tension snaps, you're relegated to basically a generically default final act of the movie where "the bad guy finally comes out of the proverbial shadows and literally chases the hero." (i.e. Disturbia, The Glass House). It's a shame too because the buildup on this was very good. Samuel L. Jackson was really scary here, he played that bullying, obsessive character perfect. The only acting problems I saw were 2-3 moments from Kerry Washington where her sad face was done poorly, with overly done lip quivers and facial movements (similar to Kirsten Dunst's crying scenes from the Spider-Man movies, except done in a BAD way).
With a movie like this, you pretty much have these possible outcomes:
1) the generic, semi-predictable ending (like we got here). 2) tragic ending with hero dying at the end. 3) an unpredictable twist coming out of left field (this has the potential to be very good or very bad). 4) a Great ending.
Unfortunately we usually get number one, since they wanna give the satisfying, safe, effective, tried and true, Hollywood ending. Most people are content with those types of cop out endings. I'm not.