A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Nina (Portman) is a ballerina in a New York City ballet company whose life, like all those in her profession, is completely consumed with dance. She lives with her obsessive former ballerina mother Erica (Hershey) who exerts a suffocating control over her. When artistic director Thomas Leroy (Cassel) decides to replace prima ballerina Beth MacIntyre (Ryder) for the opening production of their new season, Swan Lake, Nina is his first choice. But Nina has competition: a new dancer, Lily (Kunis), who impresses Leroy as well. Swan Lake requires a dancer who can play both the White Swan with innocence and grace, and the Black Swan, who represents guile and sensuality. Nina fits the White Swan role perfectly but Lily is the personification of the Black Swan. As the two young dancers expand their rivalry into a twisted friendship, Nina begins to get more in touch with her dark side - a recklessness that threatens to destroy her.Written by
Fox Searchlight Pictures
Darren Aronofsky told journalist Kim Masters in a radio interview (KCRW's "The Business" broadcast February 14, 2011) that Natalie Portman not only trained for a year as a dancer to prepare for the role, but paid for the the training out of her own pocket until the film found investors. Aronofsky attributed the film's getting made at all to Portman's dedication and enthusiasm. See more »
When Nina returns home and looks for her mother, after being assigned a role, a camera operator is visible in a mirror. See more »
I had the craziest dream last night. I was dancing the White Swan.
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Natalie Portman lives a dream and a nightmare when she gets a chance to dance Swan Lake in Darren Aronofsky's new film
Black Swan is a very bi polarized film. Portman dances as the white swan flawlessly, but her 'brilliant' choreographer has doubts about her as the black swan. She needs to 'live a little' and be less mannered, but the closer she gets to that point, the more the walls start to close in all around her.
Darren Aronofsky, though he comes close to being heavy handed, has delivered a project which is fiery, spectacular and clever. He sells us ballet as something dark and off putting, starting from his decision to reveal what dancing does to peoples bodies. One mistake and you can crack a toe nail under your body weight, but I don't wanna oversell it. To look at Black Swan in another way, it is an operatic horror film, It has incredible style, but uses it not so much to dazzle but to confuse and intimidate. The paradox of Black swan is that it creepiness is kind of seductive, because it draws you in (much like the way vampires are supposedly romantic)
But style is only half the picture (not even). The rest is in the cast, and mostly in Natalie Portman. She is slow to get started, but she grows quickly and the result is arguably her best performance yet. I've never loved her that much. She's always struck me as more of a girl than a woman, but I guess all she needs is to get a little blood on her hands, and you have an award worthy performance. Vincent Cassel, though he gets some questionable lines, is also at his best. I would have almost liked to see more of him, because you get the sense that his role has a bit more room to grow.
Black Swan does quite a bit, but it's not for everyone. Do not go into this expecting to be emotionally enriched. From the beginning, it is staged to be a mind-twirl, delighting in playing tricks on the audience. Some might call it cheating, but that would be the wrong way to look at Black Swan. It's quite epic, and with year coming to an end, I think it's fair to say that it is among the best of 2010.
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