Tokyo Sonata (2008)

An ordinary Japanese family slowly disintegrates after its patriarch loses his job at a prominent company.

Director:

Kiyoshi Kurosawa

Writers:

Kiyoshi Kurosawa (screenplay), Max Mannix

Stars:

Teruyuki Kagawa, Kyôko Koizumi, Yû Koyanagi

10 wins & 9 nominations.

Cast

Credited cast:
Teruyuki Kagawa	...	Ryûhei Sasaki
Kyôko Koizumi	...	Megumi Sasaki
Yû Koyanagi	...	Takashi Sasaki
Kai Inowaki	...	Kenji Sasaki
Haruka Igawa	...	Kaneko-san The Piano Teacher
Kanji Tsuda	...	Kurosu
Kazuya Kojima	...	Kobayashi-san
Kôji Yakusho	...	Dorobô The Robber
Rest of cast listed alphabetically:
Faisal Ahmed	...	Train Conductor
Denden	...	Janitor
Jason Gray	...	Amerika no ashigaru
Hajime Inoue
Masayuki Ito
Kenji Kawahara
Toshiyuki Kitami

Storyline

The wind of change is blowing as a family grapples with unemployment, alienation, mistrust and a lack of communication. When a Japanese salaryman loses his job to outsourcing to China, it is just the beginning of a series of family shattering incidents leading to the implosion of the family unit.

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Plot Keywords:

chinawoman | jarhead | military industrial complex | occupation | american occupation of japan | 

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Taglines:

Every family has its secrets. [USA release]

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and brief strong language

Details

Country:

Japan Netherlands Hong Kong

Language:

Japanese

Release Date:

27 September 2008 (Japan)

Also Known As:

Tokyo Sonata

Filming Locations:

Ebisu, Tokyo, Japan

Box Office

Budget:

$2,500,000 (estimated)

Opening Weekend USA:

$28,345, 15 March 2009

Gross USA:

$278,356

Cumulative Worldwide Gross:

$943,547

Company Credits

Production Co:

Django Film, Entertainment Farm (EF), Fortissimo Films

Technical Specs

Runtime:

120 min

Sound Mix:

Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Connections

Referenced in Forget Me Not (2015)

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Soundtracks

Claire de Lune
Composed by Claude Debussy

User Reviews

A Tokyo Sonata

Ryūhei a salary man loses his job, and is soon on the scrap heap of the unemployed, a very common and relevant case for so many in these times.

In this case the film documents what it means to be a working man or woman, a case of how a job can define a person. In the case of Ryūhei it's the struggle to maintain that sense of honour and pride that is so ingrained in Japanese culture, that when he is finally let go, he simply packs his belongings from work and walks out-not a word to his colleagues, and not a word to his family.

The next morning he leaves for 'work' donned in the usual work attire spending the day on the fringes of regular life-lining up for free food, sitting in public libraries, roaming the various employment offices for vacancies, then coming home earlier then usual to face the doom of subsequent family expenses (the son wants to take piano lessons, the wife wants a new car, the heater needs to be replaced).

Despite the downward spiral into despair for which this film descends into,there is a feeling of a more hopeful future.