A micro-budget movie crew treks into the wilderness to shoot horror scenes for their unsellable indie-drama. They soon find themselves in the midst of their own real horror movie, as they are hunted by a large group of creatures.
From their first encounter as teenagers in high school, Scott and Sid seem unlikely friends. Scott is a shambolic dreamer, intent on carving out his own path in life and holding up a ... See full summary »
A coincidental encounter forces four dimwits to join forces and embark upon an idiotic and altogether hilarious road trip, encountering skinheads, fraternity jocks, sorority babes, missing ... See full summary »
A pharmaceutical sales rep visits a small town in Louisiana on business. He finds himself in a dark world of corruption and murder with 24 hours to live, running from the police, the mob and a sheriff that wants him dead.
Stephen C. Sepher
Christa B. Allen
It's March in South Florida. The beach towns are flush with young people looking for action and excitement. For one unlucky group of thrill-seeking spring breakers, their adventure leads to... See full summary »
Julie's time with her benefactor, Kyle Allison, is coming to a dangerous close, but she is given two chances of escape from two very different men - a hired assassin and a wayward horse trainer with a dark past. Which man will save her?
Plot centers on a pair of college-age students fleeing from an unidentified enemy force. The duo takes refuge in what appears to be an abandoned building, but they quickly discover the building they thought was empty is anything but.
He used to be on the bomb squad, but it's not until he transfers out that Chris Mankowski really begins juggling with dynamite. Rape and revenge are just the tip of the iceberg in a twisty tale that brings Detroit denizens to life - and occasional death - in all their seedy glory, circa 1974.Written by
I wanted to like this film. I love Elmore Leonard novels, and loved Get Shorty, 52 Pickup, Get Straight and Jackie Brown (Rum Punch). In the hands of a master like Tarantino, Elmore Leonard's complex and fast-paced plots, with numerous characters throwing witty street banter around, really shine.
Unfortunately, Charles Mattheau isn't up to the task, and characters are miscast, pacing is awful, even the score is wrong in so many places. This film often comes off as a bad TV tongue-in-cheek crime show, complete with dramatic musical flourishes when the camera zooms in on the sexy legs of actresses Sabina Gadeki and Breanne Racano. (Their legs and other beautiful body parts are the best things about these mediocre actresses, in my opinion). The explosion scenes are evidence of a severe shortage in the sfx budget as well as the actor budget.
Even the usually outstanding Crispin Glover as the spacey drunken rich guy Woody Ricks is tepid, either overacting scenes or underacting them. Everything seems out of sync in this film.
Perhaps I'm holding it up to too high of a standard with the aforementioned Leonard film adaptations. But it is what it is...and cool 70's sets and apparel (the novel was set in the 60s), witty Leonard dialog and clever plot apparently weren't enough for director Mattheau to pull this off. I have to believe Elmore Leonard is supremely disappointed in this effort, since as I recall he labeled this his favorite novel. One can only hope that someday a director like Tarantino remakes this film the right way, and captures the crazy 60's vibe from the novel.
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