Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Seventeen year-old Kim is the pride and joy of her father Bryan Mills. Bryan is a retired agent who left the Central Intelligence Agency to be near Kim in California. Kim lives with her mother Lenore and her wealthy stepfather Stuart. Kim manages to convince her reluctant father to allow her to travel to Paris with her friend Amanda. When the girls arrive in Paris they share a cab with a stranger named Peter, and Amanda lets it slip that they are alone in Paris. Using this information an Albanian gang of human traffickers kidnaps the girls. Kim barely has time to call her father and give him information. Her father gets to speak briefly to one of the kidnappers and he promises to kill the kidnappers if they do not let his daughter go free. The kidnapper wishes him "good luck," so Bryan Mills travels to Paris to search for his daughter and her friend.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Jeff Bridges was first cast as Bryan Mills, but after he dropped out of the project Liam Neeson accepted the part, desiring to play a more physically demanding role than he was used to. Bridges eventually saw the film, and said Neeson was a much better choice for the role. See more »
When Bryan is chasing the sheik's barge along the Seine in his car, he appears to be traveling at high rate of speed alongside the barge. The barge would likely be traveling around 5 knots, about the speed of a light jog. The speed limit for boats on the Seine is 15 knots, (about 17 mph), so even if the boat could somehow travel at the maximum speed for the river, (which would be impossible for a boat like that), it would still be at a crawl for a car. See more »
Mr. Mills, how are you?
I'm fine. How are you?
Very fine. I suppose you want to see it again?
If you don't mind.
You know where it is.
See more »
The distributor made minor changes to secure a 15 certificate for the UK theatrical release. The UK theatrical cut is the same as the International Cut except for the torture scene, which was replaced with the PG-13 version to secure a 15 certificate. In the PG-13 version, clamps are attached to the chair. In the International Cut, they're attached to spikes which are stabbed into the victim's legs. The uncut International Cut was released with an 18 certificate on video.
This censored UK version was also released theatrically in Ireland with a 15A certificate. The extended torture scene didn't affect the certificate on video, and the uncut International Cut was also released with a 15 certificate in Ireland (cinema and video certification systems are different in Ireland - a 15A at the cinema is equivalent to a 15 on video). See more »
Just watched this film and have to say, very good in the scheme of things. The film is quite slow at the beginning as others have said, however it quickly gathers pace. The way the script introduces you to the characters is excellent and its only when you see Liam Neeson tackling a crazed fan that you think he is an excellent choice in the lead role, in fact he carries it off very well. I wasn't too sure on Holly Valance as the pop singer, but as the number of scenes she is in are fairly minimal its OK. Action sequences are very well shot and you can tell Luc Besson had his hand in this. To this end, the overall film has an excellent pace which keeps you very well entertained. It has the same sort of storyline as Man on Fire so if you liked that film, then you will definitely like this. I would say its probably slightly better with the direction and cinematography being just a bit classier. Overall I thoroughly enjoyed it and would recommend you seeing this. 7/8 out of 10
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