| Cast overview, first billed only: | |||
| Thure Lindhardt | ... | Flammen | |
| Mads Mikkelsen | ... | Citronen | |
| Stine Stengade | ... | Ketty Selmer | |
| Peter Mygind | ... | Aksel Winther | |
| Mille Lehfeldt | ... | Bodil (as Mille Hoffmeyer Lehfeldt) | |
| Christian Berkel | ... | Hoffmann | |
| Hanns Zischler | ... | Gilbert | |
| Claus Riis Østergaard | ... | Bananen | |
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Flemming Enevold | ... | Spex |
| Lars Mikkelsen | ... | Frode 'Ravnen' Jacobsen | |
| Jesper Christensen | ... | Flammens Far | |
| Lærke Winther | ... | Cap (as Lærke Winther Andersen) | |
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Peter Plaugborg | ... | Lillebjørn |
| Martin Hestbæk | ... | Storebjørn | |
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Thomas Voss | ... | Teddy |
During Nazi occupation, red-headed Bent Faurschou-Hviid ("Flame") and Jørgen Haagen Schmith ("Citron"), assassins in the Danish resistance, take orders from Winther, who's in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther's using them to settle private scores, doubt sets in, complicated by Bent's relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred? Written by <jhailey@hotmail.com>
I don't know what to say about this movie. Original setting for many of us, Flame & Citron is based on the lives of two resistance fighters/assassins ("Citron & Flame") in occupied Denmark back in World War Two. The premise is that our leads are on order to do their killings but their own aim is to kill the leader of the local Gestapo unit. However, realpolitik, double crossing, self-preservation and a femme fatale all just get in the way of everything, so our lead duo have no option but to battle as much with their own as with the occupiers. Personal relationship problems for our duo helps to keep the film human, and the story never glamorises the pair, and in many ways does show them to be quite amateurish despite their legendary status even showing their botched jobs.
So how does it all go? Well, it's not an easy one to follow. Many a time not sure what to make of the storyline if we were to really learn much. The whole realpolitik aspect of the piece never seems to resolve and with so many sides in this film, it's hard to keep up. In fairness, that was likely the main point showing the true difficulty of war, as each group seems to play off of each other for their own ends, whatever they may be. This is a weakness overall, and with its length quite tiresome.
Acting in general is faultless and beautiful shots of the Scandanavian countryside plus panoramic views of the cities are great on the eye, but some bad camera work at times is just really amateurish and spoils things.
Overall a good film that is interesting and a new-ish angle for WW2 films. Some very good points and most will like it, but not as special as it possibly could have been.