Christoffer and Maja's trip to Prague to bring back Chistoffer's deceased father evolves into the story of a break-up. In the wake of the events that follow, secrets gradually emerge which threaten to destroy their marriage.
Four small-time gangsters from Copenhagen trick a gangster boss: they take over 4,000,000 kroner which they were supposed to bring him. Trying to escape to Barcelona they are forced to stop... See full summary »
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
Svend and Bjarne work for a butcher in a small Danish town. Fed up with their boss' arrogance, they decide to start their own butcher shop. After dismal beginnings, an unfortunate accident ... See full summary »
Anders Thomas Jensen
Nikolaj Lie Kaas,
During Nazi occupation, red-headed Bent Faurschou-Hviid ("Flame") and Jørgen Haagen Schmith ("Citron"), assassins in the Danish resistance, take orders from Winther, who's in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther's using them to settle private scores, doubt sets in, complicated by Bent's relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred? Written by
With a budget over 10 million dollars this is one of the most expensive movies made in Denmark. See more »
Near the beginning of the film, there is a montage showing, among other things, a resistance fighter tied to a post and being executed. A square white piece of paper is attached to his torso as a target. Immediately after he is shot we see four bullet holes in the paper forming a "parallelogram" pattern. Moments letter, in a close up of the dead fighter, the bullet hole pattern is reversed. It's pretty obvious that the paper had been taken off between scenes and then reattached backwards relative to the first shot. See more »
You are a Partisan. That's very interesting. A soldier without a front. Are you a good soldier? Are you prepared to pay the price?
What do you think? Your life. You see, there can only be three reasons for fighting in a war. Firstly, career opportunity. It's widespread, but does not produce good soldiers. You have a fear of dying and only think of peace. Secondly, ideology. Love of the mother country. That is much more intriguing, but the dreamer breaks down. He doesn't have the ...
[...] See more »
The making of brutal Danish heroes, one death at a time, lovingly filmed...
Flame and Citron (2008)
An intensely intense film. It has great intentions, and the protagonists go around shooting Danish Nazi types in the head, which was probably a pretty good things to do during the war, at least in movie terms. It's gritty and moody, it has tension and good music and great dramatic filming (the light and the camera-work are both very clean and yet provocative).
But this cinematic prowess gets in the way of the movie a little, and the plot is slow enough that you begin to watch the surfaces of things as you go. In fact, some of the scenes (eating around large tables, meeting in broad, gloomy, almost beautiful basements) are just too pretty to support the ugly events at hand. Or so it seems. It's a vivid film, and unique, and it is a must see for World War II film buffs, just because it's so honest and so different. There are not that many Danish films about the war to start with, compared to British and American (and German) efforts.
This one is very bloody, and ruthless in both its actions and in the telling of them. Kudos for that, but warnings, too. As pretty as the filming is, it isn't always easy to watch. But that's part of the point, getting to what rises above the mere action--is it okay to kill bad people without a trial, without warning, without knowing even if they are bad at all. What is okay in war? What do we come to justify later, or at the time?
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