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The Legend of Tarzan (2016)

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Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

Director:

David Yates

Writers:

Adam Cozad (screenplay by), Craig Brewer (screenplay by) | 3 more credits »
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143 ( 624)

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Cast

Cast overview, first billed only:
Alexander Skarsgård ... John Clayton / Tarzan
Rory J. Saper ... Young Tarzan (18 Years)
Christian Stevens Christian Stevens ... Young Tarzan (5 Years)
Christoph Waltz ... Leon Rom
Samuel L. Jackson ... George Washington Williams
Margot Robbie ... Jane Clayton
Sidney Ralitsoele Sidney Ralitsoele ... Wasimbu
Osy Ikhile ... Kwete
Mens-Sana Tamakloe ... Kolo
Antony Acheampong ... Kanam
Edward Apeagyei Edward Apeagyei ... Kimanga
Ashley Byam ... Kasai
Casper Crump ... Major Kerckhover
Adam Ganne ... German Force Publique
Aleksandar Mikic Aleksandar Mikic ... Muscular Force Publique
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Storyline

Following his parents' death in Africa, John Clayton has been be raised by an ape, was known by the name Tarzan, but eventually left Africa and for his parents' home in England, along with the woman he fell in love with and married, Jane Porter. He is asked by Belgian King Leopold to go to Africa to see what he has done there to help the country. Initially, he refuses. But an American, George Washington Williams, wants him to accept so he can accompany him. He says that Leopold might be committing all sorts of atrocities to achieve his goal, like slavery. Clayton agrees and his wife insists that she accompany him because she misses Africa. When they arrive, a man named Rom, who works for Leopold, attacks their village and captures Tarzan and Jane. With Washington's help he escapes and sets out to rescue Jane by going across the jungle. Washington joins him despite being told that he might not make it. Written by ahmetkozan

Plot Summary | Plot Synopsis

Taglines:

A new threat awaits See more »


Motion Picture Rating (MPAA)

Rated PG-13 for sequences of action and violence, some sensuality and brief rude dialogue | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site

Country:

UK | Canada | USA

Language:

English | Lingala | French

Release Date:

1 July 2016 (USA) See more »

Also Known As:

Tarzan See more »

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Box Office

Budget:

$180,000,000 (estimated)

Opening Weekend USA:

$38,527,856, 3 July 2016, Wide Release

Gross USA:

$126,643,061

Cumulative Worldwide Gross:

$356,743,061
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color (ACES)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Alexander Skarsgård said that one of the main reasons he took this role was to impress his father Stellan Skarsgård. He said, "My dad is a massive Tarzan fan. Growing up, we had these VHS cassettes of the Johnny Weissmuller films, and that was my introduction to the character. But those films are seventy years old, and so much time has passed, that I think mine is a fresh take. I'll never compete with Johnny Weissmuller, but I just wanted to impress my father. He was thrilled. He was more excited than I was." See more »

Goofs

While having dinner with Jane, Rom mentions that during his last visit to Europe he attended lectures by the King of France and Henry Morton Stanley at Sorbonne University. Although the French monarchy was abolished before Stanley's 1871 voyages, several men from the Bourbon family were regarded as king by die-hard royalists. See more »

Quotes

[first lines]
Captain Moulle: Mr. Rom.
Leon Rom: [looking up at stone] Opar! We found it.
Belgian Soldier: Captain Moulle?
Captain Moulle: Form your lines...
Belgian Soldier: [the machine gun is rolled forward] Maxim ready, sir!
Captain Moulle: Steady... Wait... Fire!
See more »

Connections

Version of Tarzan: The Epic Adventures (1996) See more »

Soundtracks

BABA BABA SHI BABA
Traditional
Arranged by JOSH PONTE, GEORGE FIAWOO, SUNNY NWACHUKWU, TANIA NWACHUKWU & ROSE ALOKE
See more »

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User Reviews

 
Going Ape
30 June 2016 | by jadepietroSee all my reviews

(RATING: ☆☆☆½ out of 5)

THIS FILM IS RECOMMENDED.

IN BRIEF: A conventional approach to the Tarzan story which swings back and forth, without getting anywhere.

GRADE: B-

SYNOPSIS: The story of a little boy who goes ape.

JIM'S REVIEW: There have been many incarnations of the Tarzan legend, starting with Edgar Rice Burroughs original 1914 novel, Tarzan of the Apes. Our ape man has appeared in magazines, novels, comic books, movies, radio, cartoons, and television shows, all with varying degrees of success. Various actors have filled his loincloth, from the most famous actor in this role, Johnny Weissmuller in the 1940's, to Gordon Scott in the 1950's and Ron Ely taking hold of those vine reins in the mid 60's. His legend lives on once again in this modern day re-boot, The Legend of Tarzan, with Alexander Skarsgård as our muscle-toned hero.

The story adheres to its source and follows the basic outline of Burrough's novel. Told in flashbacks, we learn of an infant left in the jungle without parents and adopted by the great apes. Tarzan, now John Clayton III, Lord Greystoke, lived and thrives in his tropical environs until he was rescued and returned to England. Having difficulty readjusting to British society, he finds a comrade in the beautiful Jane Porter (a beguiling Margot Robbie). Upon his return to his childhood home in the Congo, Greystoke (a.k.a. Tarzan) discovers man's cruelty in the form of Belgian huntsman, Leon Rom (a typecast Christoph Waltz, playing, what else, but the villain). Whereupon Tarzan must takes sides to protect his adopted tribe of primates and protect his homeland.

Mr. Skarsgård plays Tarzan as an eloquent victim, more at home with his hairy friends than his human species. No "Me Tarzan, you Jane" monosyllabic banter here, and no loincloth either. This Tarzan mixes the physicality and brutishness of Stanley Kowalski with the sophistication and aplomb of a true noble gentleman, no small feat. If only the film matched his interpretation also.

The Legend of Tarzan is all too proper and seriously-minded which cuts down on the fun and adventure. David Yates directs his film solidly, keeping the action moving. Yet the production design by Stuart Craig seems too well-crafted for its own good, nothing out of place. It lacks authenticity in its detailing. This man-made jungle is just too pristine, so clean and sanitized just like its story. (When the vines look suspiciously like greenish rubber tubes and the cragged rocks like painted styrofoam, something is a bit off.) The special effects aren't that special either. Except for the primates, most of the animal kingdom is obviously the results of CGI, effective but slightly unreal and unsatisfying.

On the plus side, the fluid camera-work by Henry Braham has an acrobatic energy, especially as Tarzan travels from vine to vine, the best part of the cinematic experience. Mark Day's fine editing enhances the effect. The panoramic vistas help to give the film a sense of epic adventure, even if the adventures we witness never attain the grandeur of other epic film tales due to its script.

The narrative structure swings from its more interesting backstories (Tarzan's early life and upbringing, his adaptation to his aristocratic England, Jane's personal journey) which are only hinted, to the standard main story dealing with The Great White Hunter's poaching of ivory, diamonds, and the slave trade...granted all important subjects, but the treatment is painted in the most black and white terms with the widest of brushstrokes. That's the problem...there are no grey stokes in this Greystoke's version.

None of the characters are remotely real or believable, but the roles are well cast. There is a nice chemistry between the two leads, although their beauty reminds us too often of an Abercrombie and Fitch ad. Both are gorgeous human specimens who fortunately can act, even if the dialog that they are given by screenwriters Adam Cozad and Craig Brewer, is banal and stilted.

Given strong support is Samuel L. Jackson as the real life George Washington Williams, a political activist and do-gooder, but his character, as written, speaks in anachronistic modern day jargon. Still the actor brings much needed bravado and is amusing in his role. Djimon Hounsou as the avenging chief does some effective underplaying when Mr. Waltz again overplays the menace angle. However he does bring some interesting human quirks to the part. (Nice moment with the silverware arrangement, Christoph.)

All in all, the initial story line remains intriguing, the action sequences entertain, and Mr. S. makes an awesome impression, all swagger, six-pack, and sensitivity in a tight delightful manly package, although his fluent English language skills are never addressed.

This Tarzan has its flaws, but it does keep the legend intact, until the next chapter.

Visit my blog at: www.dearmoviegoer.com

ANY COMMENTS: Please contact me at: jadepietro@rcn.com


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