Set during WWII, a story seen through the innocent eyes of Bruno, the eight-year-old son of the commandant at a German concentration camp, whose forbidden friendship with a Jewish boy on the other side of the camp fence has startling and unexpected consequences.
Young Bruno lives a wealthy lifestyle in prewar Germany along with his mother, elder sister, and SS Commandant father. The family relocates to the countryside where his father is assigned to take command a prison camp. A few days later, Bruno befriends another youth, strangely dressed in striped pajamas, named Shmuel who lives behind an electrified fence. Bruno will soon find out that he is not permitted to befriend his new friend as he is a Jew, and that the neighboring yard is actually a prison camp for Jews awaiting extermination. Shmuel papa disappears and Shmule bring back a striped pajamas. Bruno puts them on and they both go look for Shmuel papaWritten by
While the concentration camp is never mentioned by name, Auschwitz was the only Nazi death camp with four crematoria. The SS officers are discussing the building's construction in the Commandant's office when Bruno's mother interrupts the meeting. In the book, Bruno calls it "Out-With." See more »
At Auscwhwitz, (and other camps) there were double fences, 3 meters apart, around the compound. Too much distance for an outsider to touch an insider. See more »
Mum, what's going on?
Mm, your father's been given a promotion.
That means a better job.
I know what promotion is.
So we're having a little party to celebrate.
He's still going to be a soldier though, isn't he?
[...] See more »
Quotation displayed before the opening titles: "Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows - John Betjeman" See more »
Mein Regiment, mein Heimatland
Adapted from Traditional Soldier's Song
Performed by Singschar der Kradschützen-Kompanie der Aufklärungs Abt.3
Courtesy of The Tomahawk Films
WW-II German Archive, UK See more »
I read the book "The Boy in the Striped Pyjamas" after coming across it in the library almost a year ago, and it amazed me. The unique approach taken by Mr Boyne put the subject matter across in a fresh and, if it is possible, even more heart-wrenching fashion. When I heard they were making the book into a film, I was very anxious, as I thought that they couldn't possibly convey the book onto the screen appropriately.
I am delighted to say that I was entirely wrong. I have just this minute returned home from seeing the film and I am absolutely stunned. The film is practically identical to the book, which was wonderful to see, and I thought that the acting was superb. Vera Farmiga and Asa Butterfield were, I thought, exceptional. The film was handled fantastically and I believe that the feel of the novel was not lost in the translation to screen.
Seeing the film was a lot more intense than reading the book and, even knowing what was coming, I found myself sobbing at the end, as were my father and step-mother, the latter of whom had never read the book, and was utterly shocked. This is the first film I have ever seen in which the whole audience were silent from beginning to end, and then, when the film ended, not a single person moved for a long time afterwards.
The film is an incredibly powerful, moving story, told superbly well by a stellar cast and crew. I would recommend it immensely to everyone.
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