Sukiyaki Western Django (2007)

A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.

Director:

Takashi Miike

Writers:

Takashi Miike, Masa Nakamura

Stars:

Hideaki Itô, Kôichi Satô, Quentin Tarantino

4 wins & 5 nominations.

Cast

Credited cast:
Hideaki Itô	...	Gunman
Masanobu Andô	...	Yoichi
Kôichi Satô	...	Taira no Kiyomori
Kaori Momoi	...	Ruriko
Yûsuke Iseya	...	Minamoto no Yoshitsune
Renji Ishibashi	...	Village Mayor
Yoshino Kimura	...	Shizuka
Quentin Tarantino	...	Piringo
Rest of cast listed alphabetically:
Takaaki Ishibashi	...	Benkei
Teruyuki Kagawa	...	Sheriff
Taigi Kobayashi
Yutaka Matsushige
Toshiyuki Nishida
Shun Oguri	...	Akira
Masato Sakai	...	Taira no Shigemori

Storyline

A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth.

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Plot Keywords:

spaghetti western | woman smokes a cigar | woman with a tattoo | cigar smoking | dead body with eyes open | 

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Taglines:

Who will be the last man standing?

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Genres:

Action | Western

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Motion Picture Rating (MPAA)

Rated R for strong violence, including a rape

Details

Country:

Japan

Language:

English

Release Date:

15 September 2007 (Japan)

Also Known As:

Düello

Filming Locations:

Tsuruoka City, Yamagata, Japan

Box Office

Budget:

$3,800,000 (estimated)

Opening Weekend USA:

$12,172, 31 August 2008, Limited Release

Gross USA:

$48,034, 21 September 2008

Company Credits

Production Co:

A-Team, Dentsu, Geneon Entertainment

Technical Specs

Runtime:

121 min 98 min (international cut)

Sound Mix:

Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Based on characters created by Sergio Corbucci.

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Goofs

In the final scene, the Gunman goes from having a mustache and goatee to being clean shaven between shots.

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Quotes

[first lines]
Ringo: [shoots a snake out of the claws of a flying hawk and cuts egg out of it]
Cowboy: [draws his gun on Piringo and whistles appreciatively]
Boss: Piringo. Been looking for you. It's the end of the road for you.
Boss: [gong] What's that sound?
Ringo: That's the sound of the Gion Shoja temple bells.
Boss: What?
Ringo: You know, those Heike and Genji boys. On a distant island, these to clans split into the Reds and the Whites. Waged a war. Sort of like that, uh, War of the Roses, ya know? In England?
Boss: Who won? The Whites?
Ringo: This ...
[...]

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Alternate Versions

The international cut version, shorter by 23 minutes, omits several scenes for pacing reasons and also all the scenes where the big Genji/Minamoto henchman after having his balls shot off develops a crush for his leader Yoshitsune. This version was screened at several film festivals and is featured on most of the DVD releases outside of Japan.

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Connections

References Django (1966)

User Reviews

inferior parody

Another Mikke Takeshi film - so expect the unexpected - or maybe not.

There is a serious problem to this film which most reviews haven't even touched. Yet anyone who has followed direct-to-video action films from Japan for the past 20 years should know what it is. Post-modern references to Spaghetti Westerns have become such a staple of such films, that these essentially have established a genre all their own - absurdist over the top violence, operatic story elements, musical and visual cues referencing the music of Ennio Morricone and the films of Sergio Leone - This has now been done a hundred times. This is the real surprise (disappointment) of the present movie - it is not new.

The reason for the development of this weirdly self-referential genre is that the most famous of all Spaghetti Westerns, Leone's 'A Fistful of Dollars,' was a direct rip-off of Akira Kurosawa's 'Yojimbo.' In the past two decades, Japanese film makers have tried to understand how that could happen. In general, although producing entertaining action films, they have failed miserably to comprehend the relationship between "Fistful" and "Yojimbo," because they haven't been able to grasp the fundamental agreement between the thought of Leone and Kurosawa which was softly Marxist in social orientation. Both of the original films are quietly but rigorously condemnatory of modern capitalism, which has been lost on the Japanese genre in question.

One would have expected director Miike Takeshi, who has been so critical of modern society in other films, to have recognized this and used it. He does not. SWD is entirely of its genre, and nothing new is learned from it.

Instead, he tries to avoid the issue by drawing his material mainly from the major film by Leone disciple Sergio Corbucci - "Django." Big mistake.

Whatever its merits, 'Django' left one seriously misguided impression on the history of the Spaghetti Western - it seems to be entirely lacking in humor. Althgough Corbucci later revealed quite a sense of the comedic, and Leone's own films are largely comedies with operatic structures, this impression of 'Django' has stuck, and most parodies of Spaghetti Westerns have been based on the assumption that the genre is overly heavy in its themes and philosophy. Nothing could be further from the truth.

Yet here, we are expected to laugh because the characters take themselves sssooo seriously. When the heroes of the best Spaghetti Westerns didn't take themselves seriously at all. Which means we are expected to laugh at a parody of a genre that in fact never existed.

There's a lot of good here. The action sequences are solid, the pacing is good, the weird blend of Meji Restoration and 1880s cowboy actually works visually. And there are lines from the dialog that are impossible to forget.

But those familiar with Japanese action films have seen most of this before. And we expect more from this unique director, especially with the budget involved.