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Why Did I Get Married? (2007)

PG-13 | | Comedy, Drama | 12 October 2007 (USA)
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The big screen adaptation of Perry's stage play about the trials of marriage, and what happens to one family when a sexy young temptress arrives on the scene.

Director:

Tyler Perry

Writer:

Tyler Perry (play)
1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Tyler Perry ... Terry
Sharon Leal ... Diane
Janet Jackson ... Patricia
Malik Yoba ... Gavin
Jill Scott ... Sheila
Richard T. Jones ... Mike
Tasha Smith ... Angela
Michael Jai White ... Marcus
Denise Boutte ... Trina
Lamman Rucker ... Sheriff Troy
Keesha Sharp ... Pam
Kaira Akita ... Keisha (as Kaira Whitehead)
Sheri Mann Stewart ... Professor Stewart
Brian Bremer ... Jay
Bart Hansard Bart Hansard ... Bartender
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Storyline

Dr. Patricia Agnew, a psychologist, has written a best seller about marriage: hers and those of three other couples who together take a week's vacation each year to ask themselves, "Why did I get married?" It's time for one of those weeks, and all four relationships are strained: Patricia and her husband Gavin have the shadow of grief between them; Terry believes that Diane has abandoned him for her work; Angela, who's built a successful business, belittles her husband Marcus, who works for her; Mike is cruel to Sheila, his religious, overweight wife. During the week, each person's secret comes out. Will these marriages survive? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

...Because two are stronger than one. See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic material, sexual references and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

12 October 2007 (USA) See more »

Also Known As:

Tyler Perry's Why Did I Get Married? See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$21,353,759, 14 October 2007, Wide Release

Gross USA:

$55,184,721, 9 December 2007
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital | SDDS | DTS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the DVD trailer, towards the end, the song "I Don't Wanna Fight" by Tina Turner (the theme for the biopic about Turner's life What's Love Got to Do with It (1993)) is played. See more »

Goofs

After arriving at the mountain cabin, Terry comes in to the bedroom and notices Diane has fallen asleep while working. At first, her laptop computer is screen-up on her lap with the stylus in her hand. But just before Terry leaves, the laptop is screen-down and the stylus is gone. See more »

Quotes

Patricia: Mike, Where's Sheila?
Mike: I made her drive, we took the plane. I should've made her walk, y'all know she fat as hell.
Patricia: Mike, do you hear what you are saying?
Diane: [to Patricia and Angela] Did he just say he made her drive?
Angela: I'm still stuck on the fat as hell part.
See more »

Crazy Credits

Special Thanks to: Bishop T.D. Jakes (for the "80/20 Rule") See more »

Connections

Referenced in Where I Belong See more »

Soundtracks

You Belong to Me
Written by Carly Simon and Michael McDonald
Performed by Anita Baker
Courtesy of Elektra Entertainment Group
By Arrangement with Warner Strategic Marketing
See more »

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User Reviews

 
Realism and Subtly Take a Vacation, but Likable Enough
11 May 2008 | by rddj05See all my reviews

You have to credit Mr. Perry for presenting to us what we so rarely get to see in American film; upper-class, professional African-American couples working through real-life relationship problems. Unfortunately, it's execution leaves a lot to be desired. Though Jill Scott turns in a spectacular performance, and Malik Joba and Tasha Smith are solid, the performances are uneven at best. It's a classic morality tale with more melodrama to fill an afternoon's worth of soap operas. Some of the characters are far too one-dimensional to be credible, including the absurdly sadistic Mike, and the nearly as absurd (and conveniently single) knight in shining armor, Sheriff Troy. There's something oddly antiseptic about the film. Even the arguments seem neat and clean, with well-defined in and out points. Sometimes it is shot like a film, sometimes (with awkward stage-like blocking), it is shot like a play being filmed in a theater proscenium. The screenplay (and direction) has some gaps of logic, but even more egregious is its exposition, which could be held up as a lesson to any aspiring screenwriter on how NOT to write it (eg, "Did you ever think we'd all turn out like this? Diane's a lawyer, I'm a doctor, you're a real estate mogul"). Unfortunately, this type of sloppy exposition abounds throughout. Realism and subtly take a vacation on this one, however, it's still a pleasant, if overly-simplistic, morality tale that's likable enough.


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