6.7/10
286
7 user 14 critic

Ad Lib Night (2006)

Aju teukbyeolhan sonnim (original title)
A young girl is asked by strangers to impersonate a prodigal daughter to fulfill a father's dying wish, and in doing so tests the fragility of family bonds.

Director:

Yoon-ki Lee

Writers:

Yoon-ki Lee (screenplay), Asuko Taira (novel)
Reviews
3 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Il-hwa Choi Il-hwa Choi
Ju-bong Gi Ju-bong Gi
Hyo-Joo Han ... The Girl (as Hyo-ju Han)
Jung-ki Kim Jung-ki Kim
Young-min Kim Young-min Kim ... Gi-yeong
Da-hyeon Kwon Da-hyeon Kwon
Edit

Storyline

A young girl is asked by strangers to impersonate a prodigal daughter to fulfill a father's dying wish, and in doing so tests the fragility of family bonds.

Plot Summary | Add Synopsis

Plot Keywords:

based on novel | See All (1) »

Genres:

Drama

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Details

Country:

South Korea

Language:

Korean

Release Date:

26 October 2007 (Turkey) See more »

Also Known As:

Ad Lib Night See more »

Filming Locations:

Seoul, South Korea

Company Credits

Production Co:

KBS Sky See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby SR

Color:

Color
See full technical specs »

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User Reviews

 
Its simplicity is nothing short of exceptional...
6 May 2007 | by movedoutSee all my reviews

What "Ad Lib Night" accomplishes in its simplicity is nothing short of exceptional. The delicate minimalism employed in Lee Yoon-ki's third feature is tremendously absorbing and is just handled with immense grace. The stealthily devastating isolation of big city living is evoked by a mysterious doppelganger's acceptance to stand beside a dying man in proxy of his runaway daughter. While its key sequences involve the enchantingly doleful stranger, her identity is the least important aspect of the film. This gesture of good faith, which spans a single night in the household, becomes a gentle and emotional narrative that taps into the pulse of young adults, scurrying to depart from their familial tethers and seeking independence. It develops an intricate, underlying tapestry of shame, guilt, responsibility and maturation. Lee's camera acts as a silent, vacant observer. With great clarity and poignancy the camera weaves in and out of conversations held between the family members gathered around the deathbed. The streamlined economy of his static camera-work witnesses the different dynamics and insecurities of the close extended family members through their dialogue and (or lack of) physical expressions. The mood remains plaintive and avoids the trappings of a melodrama by dividing the focus onto the different energies of each character dealing with the situation at hand. The bittersweet melancholy resonating from its final scenes ruminates on the bonds we take for granted and the kinships we have lost.


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