As a 25-year war between Russia and Sweden concludes, two brothers who are part of an effort to outline new border accords become undone by their actions, and their mistreatment of a young woman during their journey.
In the middle of World War I, nine British soldiers caught behind enemy lines seek refuge in a complex network of German trenches. What they soon discover is that they aren't alone - and it isn't a German soldier that's hunting them down.
Toward the end of World War II, Russian soldiers pushing into eastern Germany stumble across a secret Nazi lab, one that has unearthed and begun experimenting with the journal of one Dr. ... See full summary »
Hon Ping Tang,
18th century justice catches up with a pair of grave robbers. With only a few hours to go before his date with the guillotine, Arthur Blake tells his life story to Father Francis Duffy. Before long, Arthur spills the beans on how he got started in the grim corpse peddling business with seasoned ghoul Willie Grimes.Written by
Ron Perlman only worked for three days. Moreover, Perlman's scenes were filmed six months after principle shooting had wrapped. See more »
Supposedly set in the 18th century, Fanny pulls out a modern-day pocket knife. See more »
You be careful of dreams, Fanny. They'll lead you down a garden path and into a ditch before you know it. The Fortune of War Pub? Filled with people who followed their dreams. Look what they got to.
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I just saw this at SIFF, and I absolutely loved it. There were parts where I laughed so hard I couldn't catch my breath. The script and direction by Glenn McQuaid are fantastic. I can't wait to see more from this talented young man. The performances make the movie. Larry Fessenden and Dominic Monaghan are just delightful as the graverobber Willy and his apprentice Arthur. Ron Perlman turns in a fantastic performance (as usual) as a less-than-sympathetic jailhouse priest. Bonus: Angus Scrimm as an unscrupulous doctor! As always, he balances menace and humor perfectly.
This is a style of horror comedy that really hasn't been seen since Vincent Price did "Comedy of Terrors," "The Raven," and "Theater of Blood." The movie is genuinely scary in places, then it'll suddenly flip back into hilarious mode, keeping you totally off balance. Some parts are scary and funny at the same time.
I can only afford to see three movies at SIFF this year, but even if the other two are awful, "I Sell The Dead" was worth the price of all three. I'm going to be looking for more movies from Larry Fessenden's Glass Eye Pix. He's giving the horror genre a much-needed kick in the butt.
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