A guksu western. Three Korean gunslingers are in Manchuria circa World War II: Do-wan, an upright bounty hunter, Chang-yi, a thin-skinned and ruthless killer, and Tae-goo, a train robber with nine lives. Tae-goo finds a map he's convinced leads to buried treasure; Chang-yi wants it as well for less clear reasons. Do-wan tracks the map knowing it will bring him to Chang-yi, Tae-goo, and reward money. Occupying Japanese forces and their Manchurian collaborators also want the map, as does the Ghost Market Gang who hangs out at a thieves' bazaar. These enemies cross paths frequently and dead bodies pile up. Will anyone find the map's destination and survive to tell the tale?Written by
During the gunfight for Man-gil, the bounty hunter sees a glint of reflected light and immediately shoots an enemy rifleman through the bad guy's telescopic sight. Supposedly, Carlos (Gunny) Hathcock made that very shot during the Vietnam War, taking out the enemy sniper who was hunting him. See more »
When Park Chang-yi spins a supposedly 78-rpm record in Kim Pan-joo's office, the record he play is a 33 1/3 rpm Angel record. Angel records were not around in the 1940's (the record label is from the 1970's). Furthermore, Angel records specialize in classical music and would not release a record of Glenn Miller music even if they had been around at the time of this movie. See more »
I'll play a game with you two. A way to get rid of both of you at once. A fun game. A game to decide who is best, where no one knows who will shoot whom. Where only one man survives. Right here, right now. I'll kill both of you.
That'll never happen. I'll shoot you down first.
We'll see about that.
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Be sure to watch the credits, as they show great movie stills as well as behind the scenes movie stills. See more »
The UK theatrical release had compulsory cuts made. 5 seconds of cuts were required to remove sight of real animal cruelty, in this instance three cruel horse falls, in line with the requirements of the Cinematograph Films (Animals) Act 1937. See more »
Composed by Glenn Miller
Published by EMI Music Publishing
Courtesy of Sony BMG See more »
Good Lord, this is fun.
The Manchurian desert in the 1930's has become the Asian cinematic version of the American West. A number of action films have been set here but this is the first to make an outright reference to a classic western that I've seen. While taking off from Leone's "The Good, The Bad and The Ugly" this film goes in it's own direction although the mix of horses, trains, motorcycles, Chinese and Western costumes and some very odd characters makes this film resemble the Mad Max films more than anything else. An extended chase scene towards the end really seems influenced by the George Miller films.
Influences aside, the ingenuity in crafting the action scenes in this film makes it a joy to watch. Photography is great. The lead actors are good and the story while a little daft is easy to follow for the most part.The music is good but nowhere near the Leone films. The violence is typical for Korean action and might be a little hard to watch at times. Long but pure fun for the most part.
This is probably the best action film I've seen in a while.
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