Based upon the final confession of Adolf Eichmann, made before his execution in Israel as he accounts to Captain Avner Less, a young Israeli Police Officer, of his past as the architect of ...
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Werner Klemperer stars as one of the most infamous mass murderers in all history in this true story. With the defeat of Germany that ends World War II in Europe, the Allies discover the ... See full summary »
Dramatisation of the team hoping to televise the trial of Adolf Eichmann, an infamous Nazi responsible for the deaths of millions of Jews. It focuses on Leo Hurwitz, a documentary film-maker and Milton Fruchtman, a producer.
Paul Andrew Williams
Nazi's, in places not seen, almost invisible to the naked eye, travel to Bologna Italy starting a concentration kamfp there and discover a secret underground group thru payoffs to Interpol ... See full summary »
Based upon the final confession of Adolf Eichmann, made before his execution in Israel as he accounts to Captain Avner Less, a young Israeli Police Officer, of his past as the architect of Hitler's plan for the final solution. Captured by intelligence operatives in Argentina, 15 years after World War II, Eichmann (Kretschmann), the World's most wanted man, must be broken down and the truth unveiled. As the world waits, two men must confront each other in a battle of wills- the result of which will change a nation forever.Written by
(at around 1 min) In the scene where the minister leaves the room after telling Avner that his father had been sent to Auschwitz by Eichmann, a large contemporary map of Europe is visible on the wall. The maps contains the re-unified Germany, the successor states of the Soviet Union, the broken up former Yugoslavia, and the split Czech and Slovak Republics - which is the late 1990s status and not 1960/61. See more »
I do not typically submit such reviews, but this film cries out for comments. "Using" the inherently dramatic and compelling nature of the Nazi period to create a largely inaccurate film seems to be another kind of crime. Such a period of evil deserves the most sober treatment possible and should not be used to create a kind of historic horror film.
All of that is leading up to my strong suggestion that you skip the film and read Hannah Arendt's amazing book about the actual Eichmann trial in Jerusalem, Eichmann: A Report on the Banality of Evil. Here you will find a non-dramatic, non-titillating version of the story that neither exaggerates nor diminishes Eichmann's evil, but rather reveals him in a matter-of-fact way as an opportunist, a careerist who merely wanted to advance, climb the ladder, attain the next "title," etc. He apparently did not have any particular hatred toward Jews. None of this in my estimation makes him less evil; the book actually reveals the "banality" of his evil by taking away the specter of a crazed monster. His evil lies in its being sane and in a sense "ordinary." Therefore, given its serious subject matter, I feel the film only partially reflects the facts Arendt reveals so clearly, obscuring them with with sex and useless side stories. The performances are good, the film is well made, etc. That's not my point. If you want to make a formulaic film, a horror film, a sexy film, or any other kind of film, have at it. But don't use Eichmann as your subject matter. The subject matter is too serious to be misused in any way. Read the book, please.
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