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The Road (2009)

R | | Drama | 25 November 2009 (USA)
1:58 | Trailer
In a dangerous post-apocalyptic world, an ailing father defends his son as they slowly travel to the sea.


John Hillcoat


Joe Penhall (screenplay by), Cormac McCarthy (based on the book by)
2,078 ( 201)
Nominated for 1 BAFTA Film Award. Another 5 wins & 33 nominations. See more awards »





Cast overview, first billed only:
Viggo Mortensen ... Man
Kodi Smit-McPhee ... Boy
Robert Duvall ... Old Man
Guy Pearce ... Veteran
Molly Parker ... Motherly Woman
Michael Kenneth Williams ... Thief
Garret Dillahunt ... Gang Member
Charlize Theron ... Woman
Bob Jennings ... Bearded Man
Agnes Herrmann Agnes Herrmann ... Archer's Woman
Buddy Sosthand Buddy Sosthand ... Archer
Kirk Brown Kirk Brown ... Bearded Face
Jack Erdie ... Bearded Man #2
David August Lindauer David August Lindauer ... Man On Mattress
Gina Preciado ... Well Fed Woman
Learn more

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It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son that they are the "good people" who have fire in their hearts, which in combination largely means that they will not resort to cannibalism to survive. The man owns a pistol with two bullets remaining, which he will use for murder/suicide of him and his son if he feels that that is a better fate for them than life in the alternative. Food and fuel are for what everyone is looking. The man has taught his son to be suspect of everyone that they may meet, these strangers who, out of desperation, may not only try to ... Written by Huggo

Plot Summary | Plot Synopsis


In a moment the world changed forever.



Motion Picture Rating (MPAA)

Rated R for some violence, disturbing images and language | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Kodi Smit-McPhee didn't use a dialect coach for his American accent. See more »


The sheer quantity of people that the man and boy encounter is absurd. If the majority of people worldwide are deceased, then the Americas, where the film is set, would be nearly depopulated. They should have not encountered many, if any, people simply because the survivors would either be in isolated town or cities or they would be holed in remote rural areas. SInce the two largely avoid the former and the size of the latter precludes easy visitation, they shouldn't have run into anyone for most, if not all , of the film. See more »


[first lines]
Wife: What's happening? Why are you taking a bath?
The Man: I'm not.
See more »

Crazy Credits

Over the end credits, we hear the sounds of children playing. What the world must have been like in happier times. See more »


Sonata for Violin and Harpsichord No. 3 in E Major: Adagio Ma Non Tanto
Written by Johann Sebastian Bach (as J.S. Bach)
Arranged by Ryan Franks
Performed by Ryan Franks & Harry Scorzo
Courtesy of Crucial Music Corporation
See more »

User Reviews

An unromantic look at our dystopian future...just don't think too hard
3 May 2018 | by samuellickissSee all my reviews

I enjoy the Fallout series of games. In these games, you play a person who's survived a nuclear apocalypse and explore the wasteland of America completing quests and missions. Being computer games, they're designed to be fun and entertaining.

Dystopia is popular right now. From the unending surge of zombies (World War Z, Walking Dead, etc.) to YA (Hunger Games, Maze Runner) to more series, adult media (Automata, Blade Runner 2049).

For all their attempts at making the future look grim, I personally find them quite appealing. I loathe paperwork, you see. It's the bane of my existence. I'm someone who does. I enjoy my job, for the most part, but mention 'stakeholders', 'APR percentage' and 'audits' and my brain switches off. I honestly don't care, and it stresses the hell out of me. It does more than that. It makes me miserable - depressed, even. I can't cope with it. I can't cope with the intricacies of the bureaucratic system. It confuses me, it gets me into trouble when I don't even know why, I hate it. I hate it with a passion.

I have anarchic tendencies. I believe that our biology is designed to help us survive against nature. We're intelligent beings, and we've evolved to cope with the adversities thrown at us by nature.

The thing is, I believe I would stand a better-than-average chance of surviving the apocalypse. I'm intelligent, and I'm tough as old boots. Ask me to do a tax rebate and I'm utterly useless, but I don't care about the cold or the heat or noise while I sleep. I'll deal with that no problem.

And that's the thing with dystopian fiction - it appeals to me. They show us worlds where people like me would actually be quite successful when the vast majority of people would flounder.

But not The Road. I've read the book, and it's bleak. Utterly, utterly bleak. I'm under no illusion that our usual media diet romanticises the apocalypse - makes it strangely appealing, despite everything. The Road does not. From start to finish, it's cynical, miserable, depressing, extremely grey (like, it might as well be in black and white) and raw.

There's no attempt as making the apocalypse look positive - adding some glamour into it like the Fallout games do.

This is not really science fiction. If you address it rationally by questioning the character motivations you'll be disappointed. This is not really sci fi in the traditional sense. This isn't a strict narrative. Characters act irrationally, even stupidly, and the whole cause of the apocalypse is unexplained.

This, instead, is a drama with an apocalyptic backdrop. It's completely non-political. It doesn't care about the causes of the trouble, but rather how people react to it. It's a psychological examination of the question: 'How do you retain your sense of morality when everyone else has forsaken theirs?'.

That's a difficult question to answer. Does the film do it satisfactorily? In my view, no. It's a big topic, and I wonder if the film has felt too conflicted by its commercial needs to make some money and its desire to tell a more cerebral narrative than your average blockbuster. Certain aspects are glossed over. Other things are ignored completely and logic falls by the wayside more than once.

It moved me, however. To tears. And it really did get me thinking. Hey, life's pretty good. I may not be brilliant at coping with the unending form-filling and I'm never going to care much about the petty conflicts that dominate local politics, but I have money, food and shelter...and friends...and family. That's what storytelling is about.

If you go into The Road expecting a zombie-style action-fest you'll be disappointed. It's slow-paced and repetitive and never gives any character any glory, No one's a hero. Go into it, right now, at this time when the media is fixated on the Middle East conflict(s), Russia, North Korea, Cambridge Analytica, nationalism, #metoo, Brexit, Trump, Iran, whatever and everyone is losing their s*** and you might find yourself approaching it very differently.

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Release Date:

25 November 2009 (USA) See more »

Also Known As:

The Road See more »


Box Office


$25,000,000 (estimated)

Opening Weekend USA:

$1,502,231, 29 November 2009

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs


Sound Mix:

DTS | Dolby Digital | SDDS



Aspect Ratio:

2.35 : 1
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