Twenty-eight-year-old Kansas University doctoral student Omar Razaghi (Omar Metwally) wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three ...
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Twenty-eight-year-old Kansas University doctoral student Omar Razaghi (Omar Metwally) wins a grant to write a biography of Latin American writer Jules Gund. Omar must get through to three people who were close to Gund; his brother, widow, and younger mistress, so he can get authorization to write the biography.Written by
Marisa_Gabriella, edited by Krystal Frauendienst
When Omar returns, he goes to Adam and Pete's bungalow, and Adam hands him a drink. He takes a gulp and sets the glass on the mantel and the camera switches to Adam, but when we return to Adam, he is once again holding the glass. See more »
Greetings again from the darkness. Most everyone is familiar with the peak of Merchant-Ivory genius which included: A Room With a View, Remains of the Day, and Howerd's End to name a few. Ismail Merchant died a few years ago, but director James Ivory returns with a powerful, yet odd film based on Peter Cameron's novel.
The film boasts a very nice cast: Anthony Hopkins as the aging, gay man who is the brother of a famous (now dead) novelist; Laura Linney as the widow of the writer; and Charlotte Gainsbourg as the writer's former mistress. Oh yeah, these three all live together in a compound in Uruguay on land the writer left behind after his suicide.
The story gets interesting when Omar (played by Omar Metwally) shows up unannounced after receiving a declination of his offer to write a biography on the novelist. Hopkins supports the idea as he expects it will generate book sales and revenue for the group. Linney is flat against it thinking it will spill too many secrets. Gainsbourg initially sides with Linney, but changes her vote when she falls for Omar.
On the surface, the story is about Omar's attempt to win Linney's bitter character to change her mind. The much more interesting story is Omar's awakening in this oddball community now that he is out of the grasp of his domineering type A girlfriend and co-worker played superbly by Alexandra Maria Lara. Talk about a personality that makes you want to turn and walk away! She almost makes Linney's character seem humane.
Mr. Ivory excels in subtlety and he is in fine form here. So many "little" moments make this story really click. Not to mention it is beautifully photographed. This is a really good film that will probably get lost in the mass confusion of summer giants like Twilight and Toy Story 3. If you get the chance, make the time to see this one.
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