A historical drama set in Roman Egypt, concerning a slave who turns to the rising tide of Christianity in the hope of pursuing freedom while falling in love with his mistress, the philosophy and mathematics professor Hypatia of Alexandria.
Johnny Worricker (Bill Nighy) is a long-serving MI5 officer. His boss and best friend Benedict Baron (Sir Michael Gambon) dies suddenly, leaving behind him an inexplicable file, threatening... See full summary »
Following a fatal accident, a Chinese expatriate working for a mining company in Australia discovers that new technology developed by the company may be a health risk, and investigates a web of conspiracies in his search for the truth.
A married couple moves back to its childhood village to start a family, but a surprise visit from the husband's brother ignites sibling rivalry and exposes lies embedded in the couple's ... See full summary »
Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
Inspired by true events, Kathy (Rachel Weisz) is an American police officer who takes a job working as a peacekeeper in post-war Bosnia. Her expectations of helping to rebuild a devastated country are dashed when she uncovers a dangerous reality of corruption, cover-up and intrigue amid a world of private contractors and multinational diplomatic doubletalk.Written by
Rachel Weisz first read the script in 2005 when she was pregnant, but turned it down because she didn't think she could play the harsh role of Bolkovac at that time. In 2009, after learning that the film never went ahead, she accepted the role and the film entered into production. See more »
In the opening sequence which is entirely in the language of Ukraine, as Raya is being photographed, Luba whispers while mouthing the word "smile" in English. See more »
I have to get home. Mama's gonna kill me.
No. You are staying with me tonight. Roman wants us there at nine in the morning. Raya, we've been over this. It's just a few months working in a hotel.
You want to work at a Copyshack like your mother? He said it was both of us or nothing!
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Greetings again from the darkness. Emotional exhaustion swept over me as this film came to an end. Based on the true experiences of Kathryn Bolkovac, we see what a true hero is. She absolutely refused to turn away from the despicable actions of her co-workers and government officials.
Rachel Weisz delivers what is far and away her best performance yet. She captures the emotional complexity and strength that Ms. Bolkovac displayed. Some have stated she was conflicted, but I never saw that. I saw the character of a woman who had a clear understanding of right and wrong ... and would settle for nothing less than "right".
Kathryn, a Nebraska cop, accepts a UN peacekeeping job in post-war Bosnia. Her spirit and strength is recognized, and rewarded with promotion, by Madeleine Rees (Vanessa Redgrave) who is director of the Human Rights Commission. It is in this job where she slowly uncovers the corruption and cover-up of sex trafficking of underage girls. Even more sickening is that this most profitable business is being run by the peacekeepers and law officers being paid to protect these citizens.
It turns out that though Ms. Bolkovac was fighting for these human rights of these girls, she was also working diligently to expose the corruption of the private contractors hired to supply personnel in all aspects of recovery in countries such as Bosnia. In her situation, the private contractor was DynCorp and she had no problem pulling back the curtain on the lack of training and control exhibited by this and other contractors.
Combine that with the frustrations in dealing with bureaucrats such as Monica Bellucci's character, it often feels as if Ms. Bolkovac is fighting a one woman crusade (with a little help from David Strathairn's character). When red tape (such as no passport for the abused girls) and diplomatic immunity become major players in fending off her efforts, we get the wonderful line "immunity not impunity". That explains a great deal.
The film is directed by first timer Larysa Kondracki. Setting and tone is well captured, but the editing of many scenes left me somewhat distracted, but not to the point of annoyance. There is so much tension and exposure to despicable actions in this film that I found it difficult to relax afterward. The strength and courage of this woman will restore your faith in humanity and remind us we should never turn away from doing the right thing.
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