A portrait of the broken lives of four people (a vigilante detective, a worried parent, an awkward man looking for love and a suicidal artist) as they all struggle to cope in their religiously-dystopian city.
In 1870s America, the fury of a notorious gang leader is unleashed when a peaceful American settler avenges the death of his family. Then as his cowardly fellow townspeople betray him, he is forced to hunt down the outlaws alone.
Jeffrey Dean Morgan
Preest is a masked vigilante detective, searching for his nemesis on the streets of Meanwhile City, a monolithic fantasy metropolis ruthlessly governed by faith and religious fervor. Esser is a broken man, searching for his wayward son amongst the rough streets of London's homeless. Milo is a heartbroken thirty-something desperately trying to find a way back to the purity of first love. Emilia is a beautiful art student; her suicidal art projects are becoming increasingly more complex and deadly.Written by
(at around 55 mins) When Emilia puts her cigarette out on a round white object, it clearly shows the cigarette falling off of the object onto the table. A few moments later, the next camera angle zooms in revealing the cigarette sitting back on top of the white object. See more »
If you needed to find someone, the best place to start was the Faith Registration Centre - Meanwhile's melting pot of the pious. Every creed, cult, religion and doctrine pass through these doors, all looking for the same sense of belonging and hope.
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Was a bit wary of this one - had read comments about it being pretentious and a little too clever for it's own good.
No need to worry on either front.
Thought it was excellent - beautifully shot, fabulous performances by all involved and the story comes together wonderfully. The parallel world of Meanwhile City is simply stunning.
Think you have to be able to go with it for the first half - and allow it time to start unfolding. This may frustrate some, but it definitely has a sense of balance and shows enough to keep your attention without over-elaborating unnecessary plot strands.
Really hope it does well... it's shows bigger budget, mainstream multiplex fodder how it could, and should, be done.
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