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Che: Part One (2008)

Not Rated | | Biography, Drama, History | 24 January 2009 (USA)
In 1956, Ernesto 'Che' Guevara and a band of Castro-led Cuban exiles mobilize an army to topple the regime of dictator Fulgencio Batista.

Director:

Steven Soderbergh

Writers:

Peter Buchman (screenplay), Ernesto 'Che' Guevara (memoir "Reminiscences of the Cuban Revolutionary War")
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4 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Julia Ormond ... Lisa Howard
Benicio Del Toro ... Ernesto Che Guevara
Oscar Isaac ... Interpreter (as Óscar Isaac)
Pablo Guevara Pablo Guevara ... Dinner Guest #1
Franklin Díaz Franklin Díaz ... Dinner Guest #2
Armando Suárez Cobián Armando Suárez Cobián ... Dinner Guest #3
Rodrigo Santoro ... Raúl Castro
María Isabel Díaz Lago María Isabel Díaz Lago ... María Antonia (as María Isabel Díaz)
Demián Bichir ... Fidel Castro (as Demian Bichir)
Mateo Gómez ... Cuban Diplomat #1
Ramon Fernandez ... Héctor (as Ramón Fernández)
Yul Vazquez ... Alejandro Ramírez (as Yul Vázquez)
Jose Caro Jose Caro ... Esteban (as José Caro)
Pedro Adorno Pedro Adorno ... Epifanío Díaz
Jsu Garcia ... Jorge Sotús (as Jsu García)
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Storyline

The Argentine, begins as Che and a band of Cuban exiles (led by Fidel Castro) reach the Cuban shore from Mexico in 1956. Within two years, they mobilized popular support and an army and toppled the U.S.-friendly regime of dictator Fulgencio Batista. Written by anonymous

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Spain | Mexico

Language:

Spanish | English

Release Date:

24 January 2009 (USA) See more »

Also Known As:

The Argentine See more »

Filming Locations:

Campeche, Mexico See more »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$61,070, 14 December 2008

Gross USA:

$748,555

Cumulative Worldwide Gross:

$34,165,172
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Benicio Del Toro chose Ryan Gosling to play Benigno 'Beni' Ramírez. Gosling met with the real Ramirez and learned some Spanish to prepare for role. But delays during pre-production caused Gosling to drop out of the project. See more »

Goofs

When the guerrilleros are in the Sierra Maestra, we can hear the coqui (Eleutherodactylus coqui) singing in the night. However, this small frog is endemic to Puerto Rico and the Virgin Islands, thus not possible to be heard in Cuba. See more »

Quotes

Ernesto Che Guevara: [addressing the United Nations in Spanish] Executions? Yes, we have executed. We execute, and we'll continue to execute.
See more »

Connections

Featured in Side by Side (2012) See more »

Soundtracks

Fusil Contra Fusil
Written by Silvio Rodríguez
Arranged and Performed by Silvio Rodríguez
Courtesy of Silvio Rodríguez
See more »

Frequently Asked Questions

See more »

User Reviews

a Container for Your Own thoughts
25 October 2008 | by RResendeSee all my reviews

This struck me as a documentary or, more fairly as a personal yet direct meditation on the own words of a man, embedded in context, which may also be a definition for documentary I was deeply impressed by the honesty of this film. I understood where Soderbergh, the artist, was, as i felt the space he left for me to think. How he uses Che's own expression of the part of his life depicted in the film, with the least possible manipulation (editing the book is already manipulating) and still, it's up to the viewer to place his own opinions over what he saw - more or less distanced according to where we come from and where and how long we lived. Of course this is made considering that who goes to the film has a previous knowledge of what context and moment, and what character he is about to watch.

I'll put this film together with Medem's 'La pelota vasca' (an assumed documentary) for they both show an extreme sensitivity working with such delicate themes as like they choose to work. Both originated some contesting, More with Medem's because the director was more rooted in the problem that was shown, and because the story is far from being closed, but to me they were both opened films which, as any contemporary film should be, leave a lot of the thinking to the public, and work as brain starter for discussion.

The narrative structure is effective, the artwork and editing are of great competence. Che in the woods of Sierra Maestra, on the verge taking the power in Cuba inter cut with his visit to the USA, in 1964. This second line is shot in black and white, the other has beautiful colors. The absence of music was a mildly risky choice i appreciated. The rest, you can think of it yourself. I thought Del Toro was very good, internally concentrated, resisted totally to being what we expected Che to be, and that's something, to be able to interpret a character with such an charismatic aura behind him, which we can still feel when his own words are spoken. From this film on, i admire Del Toro; before this i didn't look at him as i do now. I'll review his previews performances, i have to check if i didn't notice how good he is. Quite on the contrary, Bichir, as Fidel, was a total disaster, frankly one of the worst performances i've ever seen. How could he think Fidel was all about imitating a voice, some gestures, and handling a cigar. What a mess.

Of course this man's story is controversial, which means one can make radically opposed opinions out of the same known and accepted facts. The fair amount of arguments i've had since i saw it with someone who saw it with me prove me right here. I think Guevara was a lucid man, who read perfectly well the mechanics of the world of oppression where he stood. He chose to stand there and live like them, though he wasn't like them, and that's worth admiration. The ideas he made of the injustice he saw was a product of a genuine mind. But though the diagnosis was right, the whole process of making it in practical terms was a mess, to my eyes. He was at the root of a regime, inserted in a bigger regime, that grew on arrogance, on hypocrisies, and at a certain point became at least so unfair to the same oppressed people as those oppressed had before. And that's because, though wanting to do different, this revolution used the same weapons of strenght and physical superiority others had used. And that killed the whole idea. And Guevara was there, with it, being oppressive when he thought he was being better, out of, i think, ingenuity. What i say is, read the man, his observations are probably equally (or even more) correct today as they were when he made them, but don't follow his steps, i wouldn't, not knowing what i know today.

Also, notice how Che, the icon, grew to incredible proportions, 3 reasons i give it:

-He died young, and fighting for ideals, at least shooting for ideas;

-He was picked up by the very capitalism he rejected and was sold like an icon the population (mainly youth) desperate to get out of the contradictions in this regime, check the contradiction of this;

-He had an image standing for him, literally an image, the photograph Korda took. It's amazing, and it's probably an unique case, how a single image can move millions, how the right moment, with the right publicity can be so powerful. If you think about that, among the capitalists who sell tshirts and the liberals who believe Guevara, this is image is the center of the most successful publicity campaign ever. Once more, i admire Soderbergh's intelligence to leave that image out of this film. It's more than avoiding a cliché. It's avoiding the viewers to go recall clichés they've made (me included) over that image.

My opinion: 4/5

http://www.7eyes.wordpress.com


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