Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
- Awards
- 2 wins & 7 nominations total
- Art
- (as Justin Louis)
- Amanda
- (archive footage)
Featured reviews
Jigsaw (Tobin Bell) is dead. Though he is gone, he vows that his work will continue. And it appears he is true to his word, for SWAT Lt. Rigg (from Saw 2 & 3) is the latest member of the police force to be thrust into one of Jigsaw's deadly games. Meanwhile, Detective Hoffman (Costas Mandylor) is joined by a pair of FBI agents to help stop the Jigsaw killer once and for all...They'll start by looking into his past, beginning with his ex wife, Jill.
The acting is pretty good. Costas Mandylor, Tobin Bell, and Scott Patterson are the standouts. Bell brings so much more to the character this time around through flashbacks as we learn more about John Kramer. Showing that he has created one of the most memorable characters of recent memory, Bell makes us almost sympathize with him, despite the acts he has committed. Mandylor is really good as Detective Hoffman, even though he has limited screen time and dialog. I liked Patterson a lot because of the toughness and reality he brought to the character. Agent Strahm is a good character and definitely one of my favorites in the series. One big surprise was Lyric Bent as Rigg. He definitely showed a lot of range in this movie. He has a future.
The plot is probably the most complex, as there can be as many as 3 different subplots going on at the same time, all while the audience has questions from the first 3 movies answered. The ending also leaves a little to be desired, as it is the least impacting twist of the series (and most obvious). However, I really enjoyed the traps, which were definitely a step up from Saw 3. The random gore was kept to a minimum, but the beginning is absolutely horrifyingly gory. It also felt rushed, which means I can't wait to see the unrated DVD. Hopefully it'll have more extra footage than the others. Saw 4 has the weakest script of the series, but it's still better than I expected. At this point, it appears as if Darren Bousman is going through the motions, and that's what keeps the series spirit alive. As long as Bousman, Wan, or Whannell continue to be involved, the spirit should live on. I also have to give props to the editor for the smooth and catchy transitions, not to mention the production design is top notch. That and the lighting provide at least some horror realism, as the plot does border on absurd at times. The sound is better than ever, with the classic 'Hello, Zepp' tune that has become one of the most recognizable tracks in movie history making its dramatic appearance in the climax of the film. The ending also leaves us wanting more, so I'm expecting Saw 5 next Halloween.
8/10 --spy
Both Saw II and Saw III distinguish from the first Saw but Saw IV doesn't bring anything new. It sticks to its prequel. We get to see the same scenes (flashbacks), the same places and again we face those Jigsaw traps that never seem to end. I think that we all know by now what Jigsaw really wants and how we are supposed to play. But the detectives and agents seem to lack intelligence and don't listen to his rules. That's how we face again the catastrophe of this spectacle. We also get to see a bit of John's past and his ex-wife, Jill. I thought she was there to reveal something new about John but she never does.
Actually, Saw IV offers quite a lot, many traps, many people who got into them, many stories and also a lot of blood and violence. The truth is, I don't want to see those things anymore. I have already seen all of that in Saw III. It's like the creators of the movie are falling with every sequel deeper and deeper into meaninglessness. They have forgotten a long time ago about the meaning of this whole thing and rather decided to focus on blood and violence. Too bad the team Leigh Whannell and James Wan, the founders of Saw, does not any longer exist. Nothing can save Saw anymore.
But the director Darren Lynn Bousman keeps on trying, which is actually a big plus. He really can create the atmosphere that fits best to the movie.
I have also nothing against the new actors that appear in Saw IV, p.e. Costas Mandylor and Scott Patterson, who played really professionally for those two roles that they got.
I guess I still hope that they will save Saw, because I'm a big fan, although I already assume that the situation is hopeless. They have sunk too deep.
Good luck with the next sequel. You will definitely need it.
7/10
SWAT Commander Rigg (Lyriq Bent) has become obsessed with finding Jigsaw (Tobin Bell), particularly since his fellow officers have died via his sadistic games. However, Jigsaw finds Rigg and has him play his own game. With two of his colleagues, Officer Matthews and Hoffman (Donnie Wahlberg, Costas Mandylor) held captive in one of Jigsaw's traps, Rigg has 90 minutes to try and find them. Meanwhile FBI Agents Strahm and Perez (Scott Patterson, Athena Karkanis) question Jigsaw's ex-wife Jill (Betsy Russell) in an effort to uncover Jigsaw's mysterious accomplice.
Saw IV is a sequel that is struggling to stay consistent with the numerous plot strands and filling up of plot holes. It almost feels like an extreme connect the dots puzzle as one tries to piece together all the characters and incidents from the previous instalments. Even when watching it, I could already imagine Internet forums swarming with hundreds of questions.
What made the first film so unique was that the victims are often people who essentially deserved to be punished, be they drug dealers or con artists frantically trying to save themselves from the macabre situation they were in. With Jigsaw as judge, jury and executioner, do we as an audience side with his objective, or do we sympathise with the wrongdoing victim during their last few seconds before they die a fantastic death? As the sequels have progressed, saving oneself appears to have been completely abandoned, for in the third instalment as well as this one, some victims simply have to wait to depend upon someone to help them. Also some supposedly innocent (?) people are dragged in (the guy with his eyes sewn shut is involved in the film's best trap, but who the hell was he?), while some injured victims are merely swept aside and we never know if they live or die.
In an effort to try and make a bigger sequel, games are no longer in one confined space, but set in different locations across the city, pushing 'suspension of disbelief' to the limit. For example, Rigg's apartment is turned upside-down within a matter of minutes, with blood on the walls, pictures hanging from the ceiling and how someone managed to get a scalping chair up there without anyone noticing is beyond me! Some may like the distancing from the previous movies, but for me this is a slight shift towards conventional slasher movies.
Acting wise, it's rather mediocre. Apart from Tobin Bell, quite a bankable name now because of the Saw franchise, a number of small stars litter the film and help keep the costs down. For me, the only other name that stands out is Donnie Wahlberg, and even he is somewhat wasted.
As expected, it's reliant on flashbacks, some of which made me feel like I was watching a soap opera rather than a horror. However director Darren Lynn Bousman does fulfil on account of gore, pushing Saw IV with 'in-your-face' violence and close ups that probably wouldn't have passed through the BBFC with an uncut 18 certificate five years ago.
If you've been following the franchise then you can't help but be roped along for the ride. I certainly was. For something that was written, shot, edited and practically gift-wrapped all inside one year, it still works. It's just a shame that what was once so original three years ago now feels stale with hardly anything new to offer. Hell, there aren't even any jumpy moments! Given the rush-job nature at dishing out sequels, maybe they'll have more fun at turning it into some kind of weekly/monthly TV series.
I really do hope that this is the last one, because really now, enough is enough. But as Jigsaw says, "the games have just begun."
Rating five out of ten.
Should you bother seeing this movie if you haven't seen the other Saw movies? No. What if you like gore and suspense... sure. But this movie is strictly for the Saw fans who have seen the first three and followed every step and hint, otherwise it's a big waste of time. The only thing that helps those people is that every Saw movie shows flashbacks. Honestly though, it's not as useful as seeing them to begin with.
Now to the movie...
This was the first Saw movie that was not written by Leigh Whannel. Is this a problem? I don't really think so. Saw IV was just as riveting and plot-detailed as the first three. I watched the movie tonight with 2 friends in a closed theatre, and we were all talking during the entire movie asking each other questions and trying to figure out the plot. I feel bad for the massive amounts of people cramming the theatre on opening night; there's going to be so much talking, it will be unbearable to follow. "Who's that guy?" "Do you think he really died?" "I bet he's playing a game as well". Not so much fun.
Let me be completely honest about this movie, and that will be all for me. There were many twists and turns, all what we hoped for. The details are superb; everything clicked and was managed well. Most of all, the gore, violence and games were top notch. I was stunned at how amazing the tests were... seriously. It was a joy to watch.
Completely entertaining. If you liked the first Saws, then you will not want to miss this one. 7 out of 10. In my opinion, it was better than Saw III, but slightly below Saw II... and of course, not near the original. But still, Saw IV was brilliant.
Did you know
- TriviaThe seamless transitions between separate scenes in the film were not created using digital effects, but were done practically. For these transitions, the sets were built in such a way that two separate scenes could be filmed in one shot without interruption.
- Goofs(at around 3 mins) During Jigsaw's autopsy, his brain is easily removed from the skull, with no connection to the brain stem or spinal cord. In reality, dissection is needed to remove the brain.
- Quotes
[last lines]
Jigsaw: You feel you now have control, don't you? You think you will walk away untested. I promise that my work will continue. That I have ensured, by hearing this tape, some will assume that this is over, but I am still among you. You think it's over just because I am dead. It's not over. The games have just begun.
- Alternate versionsEven though the German theatrical version is rated "Not under 18", it was cut by 55 seconds (it is based on the U.S. R-rated version). Since there are different rating standards for theatrical and home video releases, this rating was denied for the DVD release. The theatrical version was therefore released on DVD with a SPIO/JK approval. Additionally, another version (with scenes cut) with a "Not under 18" rating was released as well. As with Saw III (2006) the U.S. unrated version was released as well; however, it wasn't released in Germany, which allowed it to avoid potential legal problems with German judiciary.
- ConnectionsEdited into Saw V (2008)
Details
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $63,300,095
- Opening weekend US & Canada
- $31,756,764
- Oct 28, 2007
- Gross worldwide
- $139,352,633
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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