Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever.Written by
BWR Public Relations
During filming, three, four or more hand-held super 16mm cameras were used to film scenes in documentary style. Nearly two hundred hours of footage was shot at an eye-popping 100:1 shooting ratio (a higher ratio of expended film than the notorious Francis Ford Coppola epic, Apocalypse Now (1979)). See more »
In the desert stand-off, after shooting the enemy sniper, a rock to Sanborn's right side is completely in shadow. The shadow is cast by a parasol on a tripod which is positioned to protect the actors, but has been moved aside for the shot. The parasol is on a stand, which casts a shadow across the foreground in front of the actors. See more »
This movie won the Academy Award for "Best Picture of the Year?" Seriously? Are you kidding me? I think that tells a lot about the Academy Awards and how completely stupid, pointless, useless, and misleading they are.
Watching this movie was like watching paint dry, but thinking that at any moment the paint could explode. But then, when it does explode, you don't really care.
I have noticed that "action" movies that are directed by women are usually not great. When I started out watching this movie, I had high hopes for it because I had heard good things about it, and of course it won an Academy Award (for whatever that is worth). And I thought it would be interesting to finally see a good action movie directed by a woman (Kathryn Bigalow). But instead it was a total let down. Maybe Kathryn Bigalow should get a job making movies for the Lifetime Network, and stay the hell out of the action genre because "HURT LOCKER" sucked.
Watching "The Hurt Locker" made me feel like I was INSIDE a Hurt Locker! And all I wanted to do was get out of that locker and go do something else. Every time the movie built up any suspense or tension, Bigalow manages to slow down the pace and kill the scene. Also, there a lot of times when you think the movie is going to take a new direction, and really get into a decent subplot, but then it just simply goes NOWHERE.
Don't believe the hype on this movie. Stay out of the Hurt Locker, save yourself two hours of life. Somebody should put an explosive on this movie and blow it up. Funny, a movie about a bomb squad that is, itself, a total bomb. How ironic.
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