Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Navy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home to his wife and kids after four tours of duty, however, Chris finds that it is the war he can't leave behind.
An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever.Written by
BWR Public Relations
With a small $12 million domestic box office gross, this is the lowest grossing Best Picture winner ever since box office results were regularly counted even without adjusting for inflation. Best picture winners from the 1960s have even out grossed The Hurt Locker (2008) quite significantly. The film had actually closed by the time of the Oscars, which tend to boost the film's numbers. It was the use of DVD screeners, rentals and significant campaigning that lead to its win for the prize over the highest grossing film of all time Avatar (2009). See more »
In the scene with the suicide bomber, Sanborn helps James suit up into the protective gear. Sanborn attaches the protective gear to the helmet on both sides of the neck. When James turns to meet the suicide bomber, it is clearly seen that the right side portion of the protective gear near the neck is not attached to the helmet; but, right in the next scene, you can see it is. See more »
Sergeant JT Sanborn:
Maybe you shouldn't take this down. You know, we get a lot of mortars at night. You know, the plywood on the windows help with the lateral frag coming through. That's why it's up dere.
Staff Sergeant William James:
Yeah, well, it's not going to stop a mortar round from coming in through the roof, you know. Besides, I like the sunshine.
See more »
There are no opening credits, not even a title. See more »
TIFF 2008: The Hurt Locker - World class war-action cinema
Simply put, action ace Kathryn Bigelow's "The Hurt Locker" is a near masterpiece of suspense and unrelenting intensity.
Her first film since 2002's "K-19: The Widowmaker," The Hurt Locker is definitely a return to form from the director of probably the greatest (in this man's humble opinion) surfer-action movie of all time "Point Break." The film follows Bravo company, a team of bomb technicians situated right in the heart of the Iraq war's modern IED warfare. Jeremy Renner, mostly known for impressive performances in "S.W.A.T" and "The Assassination of Jesse James," gives his most riveting performance yet as the lead, Staff Sergeant William James, a reckless but brilliant soldier who has taken down almost 850 bombs.
What separates this film from the bulk of mainstream cinema that has tackled the Iraqi situation is that it doesn't simply exist as a political polemic, or even a reminder of the humanitarian horrors that plague the Iraqi people.
Instead, Bigelow and screenwriter Mark Boal give us a story that transcends politics and can be seen as almost a straight up kick-ass action pic. The film is plotted by increasingly dangerous and fully realized defusion sequences, all of which were shot from beginning to end in single takes with DOP Barry Ackroyd's cameras continuously roving around set in order to create a tense realism that translates well to the screen.
Very elaborate attention to detail and mise-en-scene is in every frame of the pic, with Bigelow choosing to shoot in Jordan and locations being less than 10 KM away from the Iraqi border. And from a searing heat wave ranging up to 49C to actual Iraqi refugees used as extras to impeccable sound design and special guest cameos by Guy Pearce, David Morse and Ralph Fiennes, Bigelow has succeeded in creating an entirely memorable and visceral experience that will surely leave its mark in the pantheon of the very best war spectacles put to film.
494 of 813 people found this review helpful.
Was this review helpful to you?
| Report this