Osbourne Cox, a Balkan expert, resigned from the CIA because of a drinking problem, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A CD-ROM falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for cosmetic surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house.Written by
Olive St. is depicted to be a one-way street, from the way the cars are parked. But the "SCHOOL ZONE" paint on the pavement faces the opposite direction to the supposed one-way traffic. See more »
Star of "Coming Up Daisy":
[repeated line from the movie within the movie]
we've been over, and over, and over this, first you say you can't commit, and then... would you come down from there?
See more »
This film will not be to everyones taste, and I wholly understand the polarised responses.A star studded cast enjoy a knowing, wordy script, where dialogue counts, a Coen brothers trademark.However not very much happens, and the narrative is disjointed, so the pace of the story is very staccato.But once again the result is something very wide of the Hollywood mainstream and is all the more satisfying for it.
A 95 minute running time,, and several separate but interwoven plots, mean that screen time for individual actors is limited. Consequently each shines in their given roles, relishing the word play and eking the maximum out of each situation.No scene is dwelled upon, and the occasional bloody outburst of violence, or titillating appearance of a Sybian machine , is shown then moved on from before you have time to work out exactly what is going on.
The script is littered with double entendres, "running gags (pun intended)and lines aimed straight at the audience from the screen. No-one knows what is going on, or what has gone on, or what is going to happen, and is all the better for it.A mini-masterpiece.
76 of 128 people found this review helpful.
Was this review helpful to you?
| Report this