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Burn After Reading (2008)

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A disk containing mysterious information from a CIA agent ends up in the hands of two unscrupulous and daft gym employees who attempt to sell it.

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Nominated for 2 Golden Globes. Another 5 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Harry Pfarrer
... Linda Litzke
... Chad Feldheimer
... Osborne Cox
... Katie Cox
... Ted
... Sandy Pfarrer
... CIA Officer
... CIA Superior (as JK Simmons)
... Krapotkin
... Alan
... Tuchman Marsh Man
J.R. Horne ... Divorce Lawyer (as JR Horne)
... Peck
... Olson
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Storyline

Osbourne Cox, a Balkan expert, resigned from the CIA because of a drinking problem, so he begins a memoir. His wife wants a divorce and expects her lover, Harry, a philandering State Department marshal, to leave his wife. A CD-ROM falls out of a gym bag at a Georgetown fitness center. Two employees there try to turn it into cash: Linda, who wants money for cosmetic surgery, and Chad, an amiable goof. Information on the disc leads them to Osbourne who rejects their sales pitch; then they visit the Russian embassy. To sweeten the pot, they decide they need more of Osbourne's secrets. Meanwhile, Linda's boss likes her, and Harry's wife leaves for a book tour. All roads lead to Osbourne's house. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

A high stakes love life and Jewel CIA shelter. See more »


Motion Picture Rating (MPAA)

Rated R for pervasive language, some sexual content and violence | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Facebook | Official site

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Language:

Release Date:

12 September 2008 (USA)  »

Also Known As:

Quémese después de leerse  »

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Box Office

Budget:

$37,000,000 (estimated)

Opening Weekend USA:

$19,128,001, 14 September 2008, Wide Release

Gross USA:

$60,355,347, 25 December 2008

Cumulative Worldwide Gross:

$163,720,069, 25 December 2008
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

George Clooney's third film under the direction of the Coen brothers following O Brother, Where Art Thou? (2000) and Intolerable Cruelty (2003). These three films have been dubbed the "trilogy of idiots" by the brothers. See more »

Goofs

Olive St. is depicted to be a one-way street, from the way the cars are parked. But the "SCHOOL ZONE" paint on the pavement faces the opposite direction to the supposed one-way traffic. See more »

Quotes

CIA Superior: Where is the, uh, the treasury guy? Pfarrer?
CIA Officer: Right now?
CIA Superior: Right now.
CIA Officer: Um, he is in a detention room at Washington Dulles.
CIA Superior: Why?
CIA Officer: He was trying to board a flight to Venezuela. We had his name on a hot list, the CB people pulled him in, uh. Don't know why he was going to Venezuela.
CIA Superior: You don't know?
CIA Officer: No, sir.
CIA Superior: We have no extradition with Venezuela.
CIA Officer: Oh. So what should we do with him?
[...]
See more »

Crazy Credits

As usual, the Coen Brothers edited this film under the pseudonym Roderick Jaynes See more »

Connections

References Cool Hand Luke (1967) See more »

Soundtracks

All You Need
Written by Paul Adelstein
Performed by Doris
Courtesy of Kick-Off Rally Songs Inc.
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Frequently Asked Questions

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User Reviews

 
Not what I expected: dark, over-the-top, hilarious but surprisingly poignant
18 October 2008 | by See all my reviews

The Coen Brothers are an interesting pair, there's no doubt about that. Just as they did back in the 1980's with their debut and sophomore films, the Coens chose to follow up their most heavy-handed and serious film since Blood Simple, No Country for Old Men, with a nutty, over-the-top screwball black comedy. But unlike their second film, Raising Arizona, the Coens deliver Burn After Reading with a kind of newfound cynicism attached to it; it's funny, but it's also surprisingly dark and sad, and even poignant to some extent.

Based on the Coen's first wholly original screenplay since 2001's The Man Who Wasn't There, Burn After Reading features a plethora of classic Coen staples: repetitive (and brilliant) dialogue employing a strange and almost poetic use of curse words, a multifaceted plot featuring slightly dim-witted characters in way over their heads, blacker-than-the-night comedy, over-the-top performances from a pool of actors featuring recurring collaborators and newcomers to the Coen clan alike, and to tie it all off, a lesson-learning conclusion in which nothing ends up being learned at all. It's wonderful how the Coens complicate the plot so much only to round it all off perfectly in the end. Like all of their films, Burn After Reading is a carefully calculated dance in which every pause, every stutter and every camera move is planned in advance.

What I loved most about the movie is trying to get into the Coen's heads and see what they think is funny. What's for sure is that the brothers have the most unique sense of humour in Hollywood; superficially, it seems as if most of the film's comedy derives from over-the-top slapstick/screwball antics and bleak, black comedic situations and visual gags, but in reality Burn After Reading's comedy is a lot subtler than that. As I already mentioned, this is a film in which every twitch and stutter is calculated; fittingly, this is the real source of the film's hilarity, in the actors' facial expressions, subtleties, and delivery of the lines. It's great to think, for instance, that the Coens probably thought that applying a booming, ominous drum-dominated "epic"-type musical score to the movie in the style of a Tony Scott action-thriller would be absolutely hilarious, and that's just one example of the many jokes in the movie that just soar right over your head. In addition, I think that the Coen Brothers are probably the most talented employers of curse words in Hollywood. Many directors are familiar with the colourful phrases, some more than others, but only the Coens know how to make various S- and F- words utterly sidesplitting.

Blessed with one of the more impressive ensemble casts of any film this year, Burn After Reading inevitably features a plethora of good acting. Surprisingly good acting, actually, proving I suppose that the Coen's didn't really mean for this to be a total farce but do reach out for a little something more. Frances McDormand, George Clooney and John Malkovich all deliver fantastically colourful, over-the-top performances, but each of their characters also has an added level of sadness and poignancy to them that adds a little something more than physical comedy to the actors' performances: McDormand with her almost tragic loneliness and obsession with cosmetic surgery, along with her equally tragic ignorance of those around her that do appreciate her for what she is; Clooney with an equal amount of loneliness and desperation, and an undeniable air of incompetence abound him, suggesting that his mediocre job is probably the best he can get; and Malkovich, with his alcoholism and acute superiority complex. Tilda Swinton and the ever-great Richard Jenkins are a lot subtler than their higher-billed co-stars, and Brad Pitt delivers the only truly one-hundred percent cartoon performance in the film; thought despite its emptiness it's also the most enjoyable and completely hilarious.

J.K. Simmons I reserve for last; he only appears in two scenes in the film, but they are undoubtedly and by far the funniest and most successful scenes of the film. Props to him for admirably succeeding in carrying the Coen's hilarity to another level of deadpan comedy.

The Coen Brothers have an interesting sense of humour, and it is present up front and center in their latest film. Just the concept of following up a serious drama-thriller like No Country for Old Men with an over-the-top screwball black comedy probably seemed hilarious to them. Featuring great, uproarious performances from a stellar ensemble cast, the Coens really give it their all with their offbeat, so-subtle-half-the-jokes-soar-over-your-head comedy. And yet, the film occasionally does manage to reach out a little further from its apparent genre limitations and provides us with something more poignant and truthfully sad. It's even somewhat startling just how dark the movie gets and how cruel the Coens are to their characters. It wasn't quite what I expected, but then again, that's the Coen Brothers for you.


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