Day in, day out, the same routine is repeated. Immigrant worker Tobias Horvath gets up at 5:00 A.M., washes, shaves, has some breakfast, and runs to the main square. Here, in his Swiss town... See full summary »
In Genoa, Agata runs her bookstore and, without meaning to, causes light bulbs and appliances to burn out. At the same time that a younger man declares his attraction to her, her brother ... See full summary »
A mosaic of several intertwined stories questioning the meaning of life, love and hope, set during the last six days in the life of Eluana Englaro, a young woman who spent 17 years in a vegetative state.
Manager Michele lost his job but didn't tell his wife Eve, who was completing her art history PhD. Michele ponders whether to accept quickly a less lucrative job or hope for a better one. He opts to look for a higher paying job, in an attempt to retain their upper-middle class status and lifestyle, but is disappointed time and time again. Eventually, they are forced to sell their home and rent an apartment in a working class neighborhood. Meanwhile, she is forced to take two part-time jobs, and stop her volunteer work restoring a fresco. As the reality of their new working-class status emerges, they struggle to hold onto their sense of selves and their relationship.Written by
A Depressing Theme in Depressing Times: A Brilliant Film
Times are tough right now, mirroring the era of The Great Depression. Financial security is a ghost, friendships and relationships are tested by walking the razor edge of insolvency, and according to the 'popular movie' polls the escape for many is in the darkened movie houses with comic hero or animal animated mindless safety net entertainment. Not so with the very brilliant film DAYS AND CLOUDS written (with Doriana Leondeff, Francesco Piccolo, and Federica Pontremoli) and directed with immaculate attention to detail by Silvio Soldini (BREAD AND TULIPS, etc). Soldini recreates the global financial nightmare in the form of an examination of one family's fracture and consequences. It resonates despite the depressing story, offering a glimpse into the universal ties that bind us at this moment.
Elsa (Margherita Buy) is graduating from Art History and Restoration school and seems to be a woman on top of her league, complete with surprise gifts and a celebration staged by her husband Michele (Antonio Albanese). Waking up the morning after her congratulations party, Elsa is ill with a hangover, but even more shocked when Michele breaks the news to her that he has been out of work for two months, ashamed that he has lost his company and his job, hiding in the couple's boat during the day. There is no money left and the couple must face losing their home and are forced to take on menial tasks to survive. Pride prevents the couple from sharing their financial downfall with friends and with their one child - Alice (Alba Rohrwacher) who has elected not to pursue education in favor of waiting tables in a restaurant she has invested in with friends. The tension of keeping the secret to themselves causes mounting friction between the couple and events that would have never happened had they shared their misfortune with friends and family bring their relationship to a near fatal end. How they survive is touched, quietly and quickly and gently, at film's end.
Soldini spares no pain in the responses of his characters' misfortune, but at the same time he allows each character to emerge from ideal married tropes to completely human victims of financial ruin. Buy and Albanese are triumphant in their performances as the married couple caught in the crumble of decline. But there are fine performances by Rohrwacher and Fabio Troiano as her lover Riki, and Carla Signoris as Elsa's closest friend Nadia, and actors playing two ex-employees of Michele who provide a window of friendship in Michele's time of desperate need.
The cinematography by Ramiro Cirita and the musical score blending opera and folk music by Giovanni Venosta enhance the motion of the film that though just under two hours in length, appears more succinct. Silvio Soldini has taken a topic that affects us all and polished into a film that is bound to touch every viewer deeply. Highly recommended movie from The Film Movement. Grady Harp
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