Joshua and Penelope are survivors of a deadly infection that laid waste to humanity 25 years ago. When they encounter fellow survivor Abira, their lives are forever changed as they fight off the remnants of the infected.
Tanya Thai McBride
When the young detective Paul Nerteaux finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective ... See full summary »
The near future. Like tomorrow. In a world marked by closed borders, corporate warriors, and a global computer network, three strangers risk their lives to connect, break through the barriers of technology, and unseal their fates.
Luis Fernando Peña,
As our world suffers the ravages of humankind, scientists look for ways to sustain life. When one of them falls ill and a chrysalis forms around him, a tug of war ensues about the future of the stricken scientist.
Tony Baez Milan
From his childhood to his first titles, to his great come-back in 1993 and his legendary duel with Brazilian Ayrton Senna, this biopic will draw an intimate portrait of one of Formula 1's greatest drivers : Alain PROST.
All connoisseurs and other snobs know that between 1960 and 1980 French cinema was miles ahead of Hollywood. Directors like Melville knew that they could not compete on special effects etcetera because of the smaller budgets. They took the only possible course: do what Hollywood doesn't dare to do. Chrysalis breaks the Hollywood conventions as well and still stands firm in the French tradition. The pale colours remind us of classics like Le Samourai; the Hoffmann character could have been played by Alain Delon in his heydays. Dialogues are minimalistic and therefor highly effective. The two story lines first are independent and gradually merge. Montage between the two is brilliant; every scene makes you longing for the next one. Only halfway the meaning of the opening scene is partly revealed; only near the end you will understand it fully. So some patience and a bigger attention span than average is demanded - and rewarded. The movie has two weak points. First of all there is the plot. Probably I am not fair, but I find it hard to accept the plots of Robocop and Terminator as well. Never will movies like that get more than 8 stars. Second I find the Hoffmann character not that convincing anymore after his "accident". Don't take my criticism too hard. Deviating from the Hollywood norm involves risks so should be praised. Chrysalis is highly entertaining and intriguing, unless you prefer the standard, brainless and predictable stuff. And never I have seen such cold scenery.
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